In lieu of an abstract, here is a brief excerpt of the content:

  • Theatre JournalIndex to Volume 65

Contributors’ Index

Articles

  • Bailey, Rebecca A. “Staging ‘a Queene opprest’: William Habington’s Exploration of the Politics of Queenship on the Caroline Stage.” 197–214.

  • Barris, Roann. “The Life of the Constructivist Theatrical Object.” 57–76.

  • Bechtel, Roger. “The Body of Trauma: Empathy, Mourning, and Media in Troika Ranch’s loopdiver.” 77–93.

  • Bloom, Gina, Anston Bosman, and William N. West. “Ophelia’s Intertheatricality, or, How Performance Is History.” 165–82.

  • Bradley, Laura. “East German Theatre Censorship: The Role of the Audience.” 39–56.

  • Carlson, Marvin. “Negotiating Theatrical Modernism in the Arab World.” 523–35.

  • Chaudhuri, Una. “Bug Bytes: Insects, Information, and Interspecies Theatricality.” 321–34.

  • Couture, Selena. “Siddons’s Ghost: Celebrity and Gender in Sheridan’s Pizarro.” 183–96.

  • Dharwadker, Aparna. “Modernism, ‘Tradition,’ and History in the Postcolony: Vijay Tendulkar’s Ghashiram kotwal (1972).” 467–87.

  • Elswit, Kate. “Ten Evenings with Pina: Bausch’s ‘Late’ Style and the Cultural Politics of Coproduction.” 215–33.

  • Enders, Jody. “History Trouble: Reenactment and Pseudoperformativity at the Witch Festival of Nieuwpoort.” 235–51.

  • Filewod, Alan. “‘An Advance to New’: Interstitial Modernism and Toronto’s Theatre of Action, 1936–40.” 507–22.

  • Gindt, Dirk. “Transatlantic Translations and Transactions: Lars Schmidt and the Implementation of Postwar American Theatre in Europe.” 19–37.

  • Moody, Alys. “Waiting for Godot in New Orleans: Modernist Autonomy and Transnational Performance in Paul Chan’s Beckett.” 537–57.

  • Nance, Susan. “Game Stallions and Other ‘Horseface Minstrelsies’ of the American Turf.” 355–72.

  • Parker-Starbuck, Jennifer. “Animal Ontologies and Media Representations: Robotics, Puppets, and the Real of War Horse.” 373–93.

  • Platt, Len, and Tobias Becker. “Popular Musical Theatre, Cultural Transfer, Modernities: London/Berlin, 1890–1930.” 1–18.

  • Rodman, Tara. “A Modernist Audience: The Kawakami Troupe, Matsuki Bunkio, and Boston Japonisme.” 489–505.

  • Ryan, Courtney. “Playing with Plants.” 335–53.

Performance Reviews

  • Abbitt, Erica Stevens. Une Puce, Épargnez-la. 275–77.

  • Abrams, Joshua. Cascabel. 284–87.

  • Balkin, Sarah. The Dance of Death. 565–68.

  • ———. Easter. 565–68.

  • ———. Mies Julie. 565–68.

  • Barre, Nelson. The Boys of Foley Street. 406–8.

  • Bennett, Michael Y. Who’s Afraid of Virginia Woolf? 416–17.

  • Bottoms, Stephen. Einstein on the Beach. 99–101.

  • Brady, Amy. House for Sale. 414–16.

  • Chambers, Jonathan. And God Created Great Whales. 103–5.

  • Chansky, Dorothy. The Bachelors’ Tea Party. 397–98.

  • Chirico, Miriam. Marie Antoinette. 398–400.

  • Condee, William F., and Thomas Irmer. Theatertreffen. 264–68.

  • Coulter, Todd James. Die Kontrakte des Kaufmanns: Eine Wirstschaftskomödie. 271–73.

  • ———. Tragédie. 271–73.

  • Croft, Clare. American Realness. 562–65.

  • Cummings, Scott T. 37th Annual Humana Festival of New American Plays. 586–89.

  • DeMers, Anna Sycamore. On the Beach. 101–2.

  • Edgecomb, Sean F. Holding the Man. 408–10.

  • Elliott, Kenneth. The Glass Menagerie. 584–85.

  • Gainor, J. Ellen. Rutherford and Son. 559–61.

  • ———. The Stepmother. 559–61.

  • Garner, Stanton B., Jr. The Whale. 395–97.

  • Gillespie, Benjamin. Ruff. 576–77.

  • Green, Sharon L. The Agony and Ecstasy of Steve Jobs. 105–6. [End Page 631]

  • Heijes, Coen. What Country Friends Is This? The Comedy of Errors, Twelfth Night, The Tempest. 279–81.

  • Higgins, Jeanmarie. Poetic Portraits of a Revolution. 117–19.

  • Hubbard, Robert. The Beloved. 111–13.

  • Hughes, Amy E. Eighteenth International Istanbul Theatre Festival. 258–61.

  • Jochum, Elizabeth. King Kong. 580–82.

  • Johnson, Katie N. The Physicists. 107–9.

  • Juntunen, Jacob. Our Class. 404–6.

  • Kok, Su Mei. The Merchant of Venice. 123–25.

  • Kruger, Loren. Dancing All Over Johannesburg, South Africa—Twenty-fourth Annual Dance Umbrella. 95–99.

  • Kuftinec, Sonja Arsham. Oregon Shakespeare Festival. 253–58.

  • Lodewyck, Laura A. Wasteland. 410–12.

  • Manteli, Vicky. Devising the Performance, Comedy Festival. 120–23.

  • Martinez, Carra. The Amen Corner. 113–17.

  • ———. Are You Now or Have You Ever Been … 113–17.

  • Mayer-García, Eric. La Casa de los Espíritus. 402–4.

  • McKelvey, Patrick. Ganesh versus the Third Reich. 578–80.

  • Mobley, Jennifer-Scott. January Joiner: A Weight Loss Horror Comedy. 582–84.

  • Muller, David G. La Trilogie de la Villégiature. 109–11.

  • Nelson, Patricia Elise. By the Way, Meet Vera Stark. 412–14.

  • O’Neill, Michael C. Golden Boy. 568–71.

  • ———. Picnic. 568–71.

  • Ortiz, Joseph M. Der Ring des Nibelungen. 268–70...

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Additional Information

ISSN
1086-332X
Print ISSN
0192-2882
Pages
pp. 631-637
Launched on MUSE
2014-01-06
Open Access
No
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