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Reviewed by:
  • Perpetual War: Cosmopolitanism from the Viewpoint of Violence by Bruce Robbins
  • Robin Truth Goodman
Bruce Robbins. Perpetual War: Cosmopolitanism from the Viewpoint of Violence. Duke UP, 2012. viii + 248 pp.

Ever since Bruce Robbins published Cosmopolitics with Pheng Cheah in 1998, he has been at the forefront of showing us the urgency of thinking cosmopolitanism as a paradigm for the Humanities in general, and for cultural and literary studies more particularly. His new contribution to this discussion, Perpetual War, continues in this line. Robbins argues for a “strong culturalist program” (3) that would assume as a “priority” “the problem of transnational aggression” (2), or, in other words, “the prospect that cosmopolitanism will interfere with the perpetrating of violence” (2). The point here is not only to encourage literary and cultural scholars to understand their scholarly and pedagogical work politically. Also, Robbins wants us to reappropriate two principle ideas that philosophies of cosmopolitanism offer to thinking the possibility of the end of war: 1) that detachment or “disinterestedness” as a cosmopolitan positioning must connect back to a belonging to the nation, an ethical standard; and 2) that the new cosmopolitan “non-elitism” (which Robbins approves of and has himself fostered, he says) that celebrates multiple border crossings as the underpinnings of a new global democracy tends to shy away from making such normative ethical claims, while such normative claims are essential to an ethical political practice that would allow for such a democracy. These premises are fundamental, for Robbins, if we, as teachers and intellectuals want to challenge a U.S. hegemony that claims national superiority by justifying the nation’s inflicting of pain (through military as well as economic might) outside of U.S. borders. Paradoxically, such national actions reflect a national state of mind where U.S. citizens are taught to understand the U.S. as a moral giant detached from a nationhood that can be judged.

Robbins’ close readings of primary texts successfully perform a very careful balancing act. They are penetrating, dazzling, absorbing, even masterful, while also respectful, as the targets of his analyses are very often his loved and admired intellectual forbearers. For example, after a very personal and moving tribute to his teacher Edward Said, where he admits his indebtedness and praises Said’s dedication to the politics of Palestine, Robbins delves into Said’s stance on secularism, connected to his Humanism, as a separation from belonging: the figure of exile. Robbins counters this version of detachment with Said’s less recognized interest in the idea of “effort,” a term that Robbins picks up from Said’s son’s eulogy but then follows into the written texts. Robbins first suggests that Said’s descriptions of the intellectual as exilic borrow from a religious understanding of a mysterious and transcendent judge, so that the various moves towards isolation and idealism are constantly betraying themselves as religiously and therefore nationally [End Page 393] affiliated, constantly belonging. Said, says Robbins, models the secularism of intellectual work on an idea of power derived from Foucault, where the systematicity of power (of the Western canon, Orientalism, or Humanism) makes it impossible to speak outside of it, thereby linking powerlessness to homelessness. Said, though, adds in “effort,” or a certain freedom to resist through forming an intention directly against power, to intervene and open up the micro-networks of power through praising or blaming national acts: effort is “the display of a power within that is in some way comparable or commensurate to the power without that it confronts” (124). Even as the secular critic takes on some of the features of non-affiliation and impartiality in the imperialist ideology that he opposes, the promise of “effort” shares the attachment to ethics and action negotiated through the domain of the political, or nationhood.

Robbins doesn’t stop with this portrait of Said as a cosmopolitan intellectual whose brand of politics is constituted ultimately as a national belonging. He also includes other intellectuals, from Noam Chomsky to Immanuel Wallerstein, Anthony Appiah, John Dewey, and Louis Menand, movements such as pragmatism, ideas like the public intellectual, and political commitments such as anti-sweatshop activism and human rights. Robbins subjects these foundational...

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