In lieu of an abstract, here is a brief excerpt of the content:

  • Cadillac Flambé*
  • Ralph Ellison (bio)

It had been a fine spring day made even pleasanter by the lingering of the cherry blossoms and I had gone out before dawn with some married friends and their children on a bird-watching expedition. Afterwards we had sharpened our appetites for brunch with rounds of bloody marys and bullshots. And after the beef bouillon ran out, our host, an ingenious man, had improvised a drink from chicken broth and vodka which he proclaimed the “chicken-shot.” This was all very pleasant and after a few drinks my spirits were soaring. I was pleased with my friends, the brunch was excellent and varied—chili con carne, cornbread, and oysters Rockefeller, etc.—and I was pleased with my tally of birds. I had seen a bluebird, five red-breasted grosbeaks, three painted buntings, seven goldfinches, and a rousing consort of mockingbirds. In fact, I had hated to leave.

Thus it was well into the afternoon when I found myself walking past the Senator’s estate. I still had my binoculars around my neck, and my tape recorder—which I had along to record bird songs—was slung over my shoulder. As I approached, the boulevard below the Senator’s estate was heavy with cars, with promenading lovers, dogs on leash, old men on canes, and laughing children, all enjoying the fine weather. I had paused to notice how the Senator’s lawn rises from the street level with a gradual and imperceptible elevation that makes the mansion, set far at the top, seem to float like a dream castle: an illusion intensified by the chicken-shots but which the art editor of my paper informs me is the result of a trick copied from the landscape architects who designed the gardens of the Bellevedere Palace in Vienna. But be that as it may, I was about to pass on when a young couple blocked my path, and when I saw the young fellow point up the hill and say to his young blonde of a girl, “I bet you don’t know who that is up there,” I brought my binoculars into play, and there, on the right-hand terrace of the mansion, I saw the Senator.

Dressed in a chef’s cap, apron, and huge asbestos gloves, he was armed with a long-tined fork which he flourished broadly as he entertained the notables for whom he was preparing a barbecue. These gentlemen and ladies were lounging in their chairs or standing about in groups sipping the tall iced drinks which two white-jacketed Filipino boys were serving. The Senator was dividing his attention between the spareribs cooking in a large chrome grill-cart and displaying his great talent for mimicking his colleagues with such huge success that no one at the party was aware of what was swiftly approaching. And, in fact, neither was I.

I was about to pass on when a gleaming white Cadillac convertible, which had been [End Page 251] moving slowly in the heavy traffic from the east, rolled abreast of me and suddenly blocked the path by climbing the curb and then continuing across the walk and onto the Senator’s lawn. The top was back and the driver, smiling as though in a parade, was a well-dressed Negro man of about thirty-five, who sported the gleaming hair affected by their jazz musicians and prize-fighters, and who sat behind the wheel with that engrossed, yet relaxed, almost ceremonial attention to form that was once to be observed only among the finest horsemen. So closely did the car brush past that I could have reached out with no effort and touched the rich ivory leather upholstery. A bull fiddle rested in the back of the car. I watched the man drive smoothly up the lawn until he was some seventy-five yards below the mansion, where he braked the machine and stepped out to stand waving toward the terrace, a gallant salutation grandly given.

At first, in my innocence, I placed the man as a musician, for there was, after all, the bull fiddle; then in swift succession I thought him a chauffeur for one of...

Additional Information

ISSN
1080-6512
Print ISSN
0161-2492
Pages
pp. 251-262
Launched on MUSE
1995-05-01
Open Access
No
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