Index to Volume 65

Allen, Richard J. “Beginning, Middle, End of an Era: Has Technology Trumped Aristotle?” 65.1–2 (Spring/Summer 2013): 9–22.

Allsop, Christopher D. “Turn Off the Lights as You Leave: Altman and His Short Cuts with Carver.” 65.1–2 (Spring/Summer 2013): 62–74.

Ashton, Dyrk. Rev. of Reframing Screen Performance, by Cynthia Baron and Sharon Marie Carnicke. 65.3 (Fall 2013): 58–59.

Baron, Cynthia. “Stanislavsky’s Terms for Script Analysis: Vocabulary for Analyzing Screen Performances.” 65.4 (Winter 2013): 29–41.

Bierman, Joseph. Rev. of The Editing Handbook: How to Tame the Chaos of the Editing Room, by Norman Hollyn. 4th ed. 65.1–2 (Spring/Summer 2013): 102–103.

Boozer, Jack. “Novelist-Screenwriter versus Auteur Desire: The Player.” 65.1–2 (Spring/Summer 2013): 75–86.

Carren, David Bennett. Rev. of Now Write! Screenwriting, edited by Sherry Ellis and Laurie Lamson. 65.1–2 (Spring/Summer 2013): 87–88.

Edwards, Emily D. “Introduction to the Special Issue on Media Writing.” 65.1–2 (Spring/ Summer 2013): 5–8.

Dalton, Mary M. “Conquer or Connect: Power, Patterns, and the Gendered Narrative.” 65.1–2 (Spring/Summer 2013): 23–29.

Fink, Edward J. “Writing The Simpsons: A Case Study of Comic Theory.” 65.1–2 (Spring/Summer 2013): 43–55.

García-Mainar, Luis M. “Space and the Amateur Detective in Contemporary Hollywood Crime Film.” 65.3 (Fall 2013): 14–25.

Gulino, Paul Joseph. Rev. of The Inner Game of Screen-writing: 20 Winning Story Forms, by Sandy Frank. 65.1–2 (Spring/Summer 2013): 88–90.

Green, Michael. “Screenwriting Representation: Teaching Approaches to Writing Queer Characters.” 65.1–2 (Spring/Summer 2013): 30–42.

Hollyn, Norman. Rev. of Independent Film Producing: The Outsider’s Guide to Producing a First Low Budget Feature Film. 65.1–2 (Spring/Summer 2013): 103–105.

Horne, Thomas A. “James Mangold’s 3:10 to Yuma and the Mission in Iraq.” 65.3 (Fall 2013): 40–48.

Izadi, Shahin. Rev. of Writing in Pictures: Screenwriting Made (Mostly) Painless, by Joseph McBride. 65.1–2 (Spring/Summer 2013): 90–91.

Linder, Laura R. Rev. of Writing for Visual Media, 3rd. ed., by Anthony Friedmann. 65.1–2 (Spring/Summer 2013): 92–94.

Machiorlatti, Jennifer A. Rev. of Succeeding as a Documentary Filmmaker: A Guide to the Professional World. 65.3 (Fall 2013): 56–57.

McSweeney, Terence. “Each Night is Darker—Beyond Darkness”: The Environmental and Spiritual Apocalypse of The Road (2009).” 65.4 (Winter 2013): 42–58.

Misiak, Anna. “Don’t Look to the East: National Sentiments in Andrzej Wajda’s Contemporary Film Epics.” 65.3 (Fall 2013): 26–39.

Nicholls, Mark. “From Divestment to Due Resolution: King Lear and the New York Fabulists, 1989–92.” 65.3 (Fall 2013): 3–13.

Raesch, Monika. “‘Let Me Put It This Way: It Works for Me’: An Interview with Bob Rafelson.” 65.3 (Fall 2013): 49–55.

Sanna, Antonio. “A ‘New’ Environment for the Horror Film: The Cave as Negation of Postmodernity and Globalization.” 65.4 (Winter 2013): 17–28.

Smith, Evan. “Creating a Series Pilot—Newcomers Welcome.” 65.1–2 (Spring/Summer 2013): 56–61.

Smith, Evan. Rev. of Writing the Comedy Blockbuster: The Inappropriate Goal, by Keith Giglio. 65.1–2 (Spring/Summer 2013): 106–107.

Smith, Roslin. Rev. of Epics, Spectacles, and Block-busters: A Hollywood History, by Sheldon Hall and Steve Neale. 65.1–2 (Spring/Summer 2013): 100–101.

Stawarz, Jean. Rev. of Something Startling Happens, by Todd Klick. 65.1–2 (Spring/Summer 2013): 94–95.

Stein, Erica. “Abstract Space, Microcosmic Narrative, and the Disavowal of Modernity in Berlin: Symphony of a Great City.” 65.4 (Winter 2013): 3–16.

Taylor, Philip J. Rev. of Riding the Alligator: Strategies for a Career in Screenplay Writing (and Not Getting Eaten), by Pen Densham. 65.1–2 (Spring/Summer 2013): 96–98.

Walsh, Diane. Rev. of Writing the Drama Series: How to Succeed as a Professional Writer in TV, 3rd ed. 65.1–2 (Spring/Summer 2013): 98–100.

Yogerst, Chris. Rev. of The Hollywood Sign: Fantasy and Reality of an American Icon, by Leo Braudy. 65.1–2 (Spring/Summer 2013): 108...