Abstract

The author presents a creative and technical practice using flat flexible audio speaker surface arrays. These arrays can be formed to various environments, offer diverse design possibilities and allow for user interaction. This practice provides an alternative to traditional models of sound reproduction by considering how visual and physical material could be construed as sound itself. Taken as art material, these surface array systems open up unique possibilities for acoustic spaces, composition and sound interactivity.

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Additional Information

ISSN
1531-4812
Print ISSN
0961-1215
Pages
pp. 33-36
Launched on MUSE
2013-11-22
Open Access
No
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