Johns Hopkins University Press
  • Bibliography for Questionnaire Responses
Andrews, Regina M. Anderson. “Climbing Jacob’s Ladder.” 1931. In Strange Fruit: Plays on Lynching by American Women, edited by Kathy A. Perkins and Judith L. Stephens, 124–32. Bloomington: Indiana University Press, 1998.
Baker, Houston. Modernism and the Harlem Renaissance. Chicago: University of Chicago Press, 1987.
Baldwin, Kate. Beyond the Color Line and the Iron Curtain: Reading Encounters Between Black and Red, 1922–1963. Durham, NC: Duke University Press, 2002.
Barnhart, Bruce. “Chronopolitics and Race, Rag-Time and Symphonic Time in The Autobiography of an Ex-Colored Man.” African American Review 40, no. 3 (2006): 551–69.
Bone, Robert, and Richard A. Courage. The Muse in Bronzeville: African American Creative Expression in Chicago, 1932–1950. New Brunswick, NJ: Rutgers University Press, 2011.
Bonner, Marita. “The Purple Flower.” Crisis 35, no. 1 (1928): 9–11, 28–30.
Boyd, Valerie. Wrapped in Rainbows: The Life of Zora Neale Hurston. New York: Scribner, 2003.
Brooker, Peter, and Andrew Thacker. The Oxford Critical and Cultural History of Modernist Magazines. Volume 2: 1894–1960. New York: Oxford University Press, 2012.
Carby, Hazel. Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist. New York: Oxford University Press, 1989.
Carroll, Anne Elizabeth. Word, Image, and the New Negro: Representation and Identity in the Harlem Renaissance. Bloomington: Indiana University Press, 2005.
Chasar, Mike. “The Sounds of Black Laughter and the Harlem Renaissance: Claude McKay, Sterling Brown, Langston Hughes.” American Literature 80, no. 1 (2008): 57–81.
Davis, Thadious. Nella Larsen, Novelist of the Harlem Renaissance: A Woman’s Life Unveiled. Baton Rouge: Louisiana State University Press, 1994.
Douglas, Ann. Terrible Honesty: Mongrel Manhattan in the 1920s. New York: Farrar, Straus and Giroux, 1995.
duCille, Ann. The Coupling Convention: Sex, Text, and Tradition in Black Women’s Fiction. New York: Oxford University Press, 1993. [End Page 464]
Dunbar, Paul Laurence. The Sport of the Gods. New York: Dodd, Mead and Company, 1902.
Edwards, Brent Hayes. The Practice of Diaspora: Literature, Translation and the Rise of Black Internationalism. Cambridge, MA: Harvard University Press, 2003.
Fabre, Genevieve, and Michael Feith, eds. Temples for Tomorrow: Looking Back at the Harlem Renaissance. Bloomington: Indiana University Press, 2001.
Fabre, Michel. From Harlem to Paris: Black American Writers in France, 1840–1980. Urbana: University of Illinois Press, 1991.
Foley, Barbara. Spectres of 1919: Class and Nation in the Making of the New Negro. Urbana: University of Illinois Press, 2003.
Frank, Waldo David. Holiday. Edited by Kathleen Pfeiffer. Urbana: University of Illinois Press, 2003.
Gates, Henry Louis, Jr., ed. “The Black Person in Art: How Should S/he Be Portrayed.” Black American Literature Forum 21, nos. 1–2 (1987): 3.
Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. Cambridge, MA: Harvard University Press, 1993.
Goeser, Caroline. “The Case of Ebony and Topaz: Racial and Sexual Hybridity in Harlem Renaissance Illustrations.” American Periodicals 15, no. 1 (2005): 86–111.
———. Picturing the New Negro: Harlem Renaissance Print Culture and Modern Black Identity. Lawrence: University Press of Kansas, 2007.
Griffin, Farah Jasmine. “On Time, In Time, Through Time: Aaron Douglas, Fire!! and the Writers of the Harlem Renaissance.” In “Aaron Douglas and the Harlem Renaissance.” Ed. William Harris. Special issue, American Studies 49, nos. 1–2 (2008): 45–53.
Hart, Robert C. “Black-White Literary Relations in the Harlem Renaissance.” American Literature 44, no. 4 (1973): 612–28.
Hemenway, Robert E. Zora Neale Hurston: A Literary Biography. Urbana: University of Illinois Press, 1977.
Holcomb, Gary Edward. Claude McKay, Code Name Sasha: Queer Black Marxism and the Harlem Renaissance. Gainesville: University Press of Florida, 2007.
Honey, Maureen, ed. Shadowed Dreams: Women’s Poetry of the Harlem Renaissance. New Brunswick, NJ: Rutgers University Press, 1989.
Huggins, Nathan Irvin. Harlem Renaissance. 1971. Reprint, New York: Oxford University Press, 1977.
Hughes, Langston. The Big Sea: An Autobiography. New York: Knopf, 1940.
———. El immenso mar: Una autobiografia. Translated by Luisa Rivaud. Buenos Aires: Lautaro, 1944.
———. Not Without Laughter. New York: Knopf, 1930.
Hurston, Zora Neale. Their Eyes Were Watching God. Philadelphia: Lippincott, 1937.
Hutchinson, George. The Harlem Renaissance in Black and White. Cambridge, MA: Belknap Press of Harvard University Press, 1995.
———. In Search of Nella Larsen: A Biography of the Color Line. Cambridge, MA: Belknap Press of Harvard University Press, 2006.
Jackson, Lawrence. The Indignant Generation: A Narrative History of African American Writers and Critics, 1934–1960. Princeton, NJ: Princeton University Press, 2010.
Kirschke, Amy. Aaron Douglas: Art, Race, and the Harlem Renaissance. Jackson: University Press of Mississippi, 1995.
———. Art in Crisis: W. E. B. Du Bois and the Struggle for African American Identity and Memory. Bloomington: Indiana University Press, 2007.
Krasner, David. “Dark Tower and the Saturday Nighters: Salons as Themes in African American Drama.” In “Aaron Douglas and the Harlem Renaissance.” Ed. William Harris. Special issue, American Studies 49, nos. 1–2 (2008): 81–95.
Larsen, Nella. Passing. New York: Knopf, 1929.
———. Quicksand. New York: Knopf, 1928.
Leininger-Miller, Theresa. New Negro Artists in Paris: African American Painters and Sculptors in the City of Light, 1922–1934. New Brunswick, NJ: Rutgers University Press, 2001.
Lenz, Günter H. “The Riffs, Runs, Breaks, and Distortions of the Music of a Community in Transition”: Redefining African American Modernism and the Jazz Aesthetic in Langston Hughes’ Montage of [End Page 465] a Dream Deferred and Ask Your Mama.” In “A Gathering in Honor of Jules Chametzky.” Special issue, Massachusetts Review 44, nos. 1–2 (2003): 269–82.
Levin, Harry. “What was Modernism?” Massachusetts Review 1, no. 4 (1960): 609–30.
Lewis, David Levering. W. E. B. Du Bois, 1868–1919: Biography of a Race. New York: Henry Holt, 1993.
———. W. E. B. Du Bois, 1919–1963: The Fight for Equality and the American Century. New York: Henry Holt, 2000.
———. When Harlem Was in Vogue. New York: Knopf, 1981.
Locke, Alain, ed. The New Negro: An Interpretation. New York: Albert and Charles Boni, 1925. Reprinted without illustrations as The New Negro: Voices of the Harlem Renaissance. New York: Atheneum, 1992.
Lowell, Amy. Tendencies in Modern American Poetry. New York: Macmillan, 1919.
Lowney, John. “Langston Hughes and the ‘Nonsense’ of Bebop.” American Literature 72, no. 2 (2000): 357–85.
McDowell, Deborah. “The Changing Same”: Black Women’s Literature, Criticism, and Theory. Bloomington: Indiana University Press, 1995.
Miller, Monica. Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity. Durham, NC: Duke University Press, 2009.
Mitchell, Ernest Julius, II. “‘Black Renaissance’: A Brief History of the Concept.” Amerikastudien 55, no. 4 (2010): 641–65.
Miyakawa, Felicia. “‘Jazz at Night and the Classics in the Morning’: Musical Double-Consciousness in Short Fiction by Langston Hughes.” In “Literature and Music.” Special issue, Popular Music 24, no. 2 (2005): 273–78.
Monroe, Harriet, and Alice Corbin Henderson, eds. The New Poetry: An Anthology of Twentieth Century Verse in English. New York: Macmillan, 1917.
Morrisson, Mark. “Nationalism and the Modern American Canon.” In The Cambridge Companion to American Modernism, edited by Walter Kalaidjian, 12–38. New York: Cambridge University Press, 2005.
Nadell, Martha Jane. Enter the New Negroes: Images of Race in American Culture. Cambridge, MA: Harvard University Press, 2004.
O’Meally, Robert. “The Flat Plane, the Jagged Edge: Aaron Douglas’s Musical Art.” In “Aaron Douglas and the Harlem Renaissance.” Ed. William Harris. Special issue, American Studies 49, nos. 1–2 (2008): 21–35.
Patton, Venetria K., and Maureen Honey, eds. Double-Take: A Revisionist Harlem Renaissance Anthology. New Brunswick, NJ: Rutgers University Press, 2001.
Perry, Jeffrey. Hubert Harrison: The Voice of Harlem Radicalism, 1883–1918. New York: Columbia University Press, 2009.
Pfeiffer, Kathleen, ed. Brother Mine: The Correspondence of Jean Toomer and Waldo Frank. Urbana: University of Illinois Press, 2010.
Powell, Richard. Rhapsodies in Black: Art of the Harlem Renaissance. Berkeley: University of California Press, 1997.
Rampersad, Arnold. The Life of Langston Hughes. Vol. 1, 1902–1941, I, Too, Sing America. New York: Oxford University Press, 1986.
———. The Life of Langston Hughes. Vol. 2, 1941–1967, I Dream a World. New York: Oxford University Press, 1988.
Riley, Naomi Shaefer. “The Academic Mob Rules.” Wall Street Journal, May 8, 2012.
Sanders, Mark A. “American Modernism and the New Negro Renaissance.” In The Cambridge Companion to American Modernism, edited by Walter Kalaidjian, 129–32. New York: Cambridge University Press, 2005.
Schoenbach, Lisi. Pragmatic Modernism. New York: Oxford University Press, 2011.
Scott, William, and Peter Rutkoff. New York Modern: The Arts and the City. Baltimore, MD: Johns Hopkins University Press, 1999. [End Page 466]
Scruggs, Charles. The Sage in Harlem: H. L. Mencken and the Black Writers of the 1920s. Baltimore, MD: Johns Hopkins University Press, 1984.
Sherrard-Johnson, Cherene. Portraits of the New Negro Woman: Visual and Literature Culture in the Harlem Renaissance. New Brunswick, NJ: Rutgers University Press, 2007.
Smethurst, James. The African American Roots of Modernism: From Reconstruction to the Harlem Renaissance. Chapel Hill: University of North Carolina Press, 2011.
Stein, Gertrude. “Melanctha.” In Three Lives. New York: Grafton Press, 1909.
Stevens, Michelle Ann. Black Empire: The Masculine Global Imaginary of Caribbean Intellectuals in the United States, 1914–1962. Durham, NC: Duke University Press, 2005.
Thurman, Wallace, ed. Fire!!: A Quarterly Devoted to the Younger Negro Artists 1, no. 1 (1926). Reprint, Metuchen: Fire Press, 1982.
Toomer, Jean. Cane: An Authoritative Text, Backgrounds, Criticism. Edited by Darwin Turner. New York: Norton, 1988.
Untermeyer, Louis. The New Era in American Poetry. New York: Henry Holt, 1919.
Van Vechten, Carl. “Introduction [to The Autobiography of an Ex-Coloured Man (1927)].” In Critical Essays on James Weldon Johnson, edited by Kenneth M. Price and Lawrence J. Oliver, 25–27. New York: G. K. Hall, 1997.
———. Nigger Heaven. Edited by Kathleen Pfeiffer. Urbana: University of Illinois Press, 2000.
Vogel, Shane. The Scene of Harlem Cabaret: Race, Sexuality, Performance. Chicago: University of Chicago Press, 2009.
Wall, Cheryl. Women of the Harlem Renaissance. Bloomington: Indiana University Press, 1995.
Warren, Kenneth. What Was African American Literature? Cambridge, MA: Harvard University Press, 2011.
West, M. Genevieve. Zora Neale Hurston and American Literary Culture. Gainesville: University Press of Florida, 2005. [End Page 467]

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