- Author and Title Index to Callaloo Volume 36(Whole Numbers 134–137)
By Author
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Achebe, Chinua. “Listening to Chinua Achebe: A Memory,” interview, Charles Henry Rowell, 36.2 (Spring 2013): 226–231.
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Ahuja, Mequitta. “Royal Ease,” Art, 36.2 (Spring 2013): Front Cover; “Surge,” Art, 36.2 (Spring 2013): Back Cover.
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Aldana, Ligia S. “‘Somos Afro’: Champeta Music as a Means for Cultural/(Political) Organization for Afrodescendants in Colombia,” Article, 36.2 (Spring 2013): 391–402.
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Alexander, Meena. “Graduation 1949,” Poetry, 36.1 (Winter 2013): 29–30; “in Memory of Roy DeCarava (1919–2009),” Nonfiction, 36.1 (Winter 2013): 27–28; “What Cleopatra Sees,” Poetry, 36.1 (Winter 2013): 31–32.
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Allfrey, Ellah. interview, Charles Henry Rowell, 36.3 (Summer 2013): 753–757.
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Avant, A. H. Jerriod. “Unusual Tightrope,” Poetry, 36.1 (Winter 2013): 84–85.
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Baltrop, Alvin. “Portfolio of Photographs,” Art, 36.1 (Winter 2013): 55–64.
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Banner, Rachel. “Surface and Stasis: Re-reading Slave Narrative via The History of Mary Prince,” Article, 36.2 (Spring 2013): 298–311.
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Barron, Briaan L. “Ballads Behind Bars: The Music of Lyfe Jennings as Art, Critique, and Healing Remedy,” Article, 36.2 (Spring 2013): 403–413.
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Bayeza, Ifa. “The 2012 Callaloo Conference: Overview,” Nonfiction, 36.3 (Summer 2013): 573–575; “Remembering Chinua Achebe,” Nonfiction, 36.2 (Spring 2013): 223–225.
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Bellamy, Maria Rice. “Edwidge Danticat: A Reader’s Guide by Martin Munro,” Review, 36.2 (Spring 2013): 463–466.
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Bennett, Michael Y. “Dominance and the Triumph of the White Trickster Over the Black Picaro in Amiri Baraka’s Great Goodness of Life: A Coon Show,” Article, 36.2 (Spring 2013): 312–321.
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Billy, Yves. “Édouard Glissant in front of the sculptures of the Memorial to Slavery in Martinique during his last visit to the island in 2009,” Art, 36.4 (Fall 2013): Back Cover.
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Blumenthal, Rachel A. “Canonicity, Genre, and the Politics of Editing: How We Read Frederick Douglass,” Article, 36.1 (Winter 2013): 178–190.
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Bojsen, Heidi. “Taking Glissant’s Philosophy into Social Sciences?: A Discussion of the Place of Aesthetics in Critical Development Discourse,” Article, 36.4 (Fall 2013): 995–1013.
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Bowling, Frank. “Dancer,” Art, 36.3 (Summer 2013): Front Cover; “Great Thames iii,” Art, 36.3 (Summer 2013): Back Cover.
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Britton, Celia. “Philosophy, Poetics, Politics,” Nonfiction, 36.4 (Fall 2013): 841–847.
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Brown, Jayna. “Racial Innocence: Performing American Childhood from Slavery to Civil Rights by Robin Bernstein,” Review, 36.2 (Spring 2013): 482–485.
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Brown, Matthew D. “Olaudah Equiano and the Sailor’s Telegraph: The Interesting Narrative and the Source of Black Abolitionism,” Article, 36.1 (Winter 2013): 191–201.
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Bryan, Courtney. interview, Tyehimba Jess, 36.3 (Summer 2013): 601–607.
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Carson, Jack, Jr. “Unexpected Places: Relocating Nineteenth Century African American Literature by Eric Gardner,” Review, 36.2 (Spring 2013): 469–471.
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Chaney, Michael A. “Slave Memory Without Words in Kyle Bakers’s Nat Turner,” Article, 36.2 (Spring 2013): 279–297.
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Charlton, Ryan. “My Southern Home (Or, The South and Its People) by William Wells Brown,” Review, 36.2 (Spring 2013): 461–463.
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Church, Emily Musil. “in Search of Seven Sisters: A Biography of the Nardal Sisters of Martinique,” Article, 36.2 (Spring 2013): 375–390.
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Condé, Maryse. “Memories of Reading Les Indes for the First Time,” Nonfiction, Trans. Celia Britton, 36.4 (Fall 2013): 865–868.
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Conley, Tameka Cage. “The Blue Between,” Poetry, 36.2 (Spring 2013): 255–256; “Cartize, for Brittanica,” Poetry, 36.2 (Spring 2013): 254; “Catfish,” Poetry, 36.2 (Spring 2013): 257–258.
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Conquest, Lyle. “Édouard Glissant in Stonehaven, Scotland, 1996,” Art, 36.4 (Fall 2013): 982.
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Coombs, Adam. “Hip Hop’s Amnesia: From Blues and the Black Women’s Club Movement to Rap and the [End Page 1039] Hip Hop Movement by Reiland Rabaka and From Jim Crow to Jay-Z: Race, Rap, and the Performance of Masculinity by Miles White,” Review, 36.2 (Spring 2013): 474–477.
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Cooper, Desiree. “Heaven is a Place for You,” Poetry, 36.1 (Winter 2013): 53–54.
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Corio, Alessandro. “Édouard Glissant in Martinique during the Prix Carbet de la Caraïbe and commemoration of Aimé Césaire’s grave in Fort-de-France, 2009,” Art, 36.4 (Fall...