-
Contributors
Jeanne M. Alexander, the bibliographer for the F. Scott Fitzgerald Review, worked for nearly a decade as an editorial assistant on the Cambridge Edition of the Works of F. Scott Fitzgerald. She is currently an assistant editor for the Hemingway Letters Project.
Heather Brown is a doctoral student at Kent State University. Her research interests include twentieth-century British and Irish literature with particular emphasis on postcolonial revisionist myth in the works of James Joyce and W. B. Yeats and the concept of Blutbrüderschaft in the work of D. H. Lawrence.
Anne Canavan teaches at Emporia State University in Kansas. Her research interests include F. Scott Fitzgerald and the Gothic tradition, Southern literature, and narratology.
Richard M. Clark teaches freshman English courses at Duquesne University and La Roche College and serves as Legal Writing Specialist in the Duquesne University School of Law. This is his second appearance in the F. Scott Fitzgerald Review.
Kirk Curnutt is managing editor of the F. Scott Fitzgerald Review and site director for the November 2013 "Fitztravaganza/Zeldapaloosa" F. Scott Fitzgerald Society international conference in Montgomery, Alabama.
Anne Margaret daniel teaches literature and writes in New York City. She received her PhD in English from Princeton University, where, in 1996, she gave the keynote address at the F. Scott Fitzgerald Centenary Conference. Since then, she has written about Fitzgerald, American Modernism, Irish literature and culture, redheads, and music. She is working on a book about Fitzgerald and Hollywood, and has finished her first novel. For more, please visit www.annemargaretdaniel.com. [End Page 203]
Scott Donaldson has written widely on Fitzgerald and Hemingway. His last book in the field was Fitzgerald and Hemingway: Works and Days (2010). His 1983 biography, Fool for Love: F. Scott Fitzgerald, was reissued in paperback in 2012 and is reviewed in this issue. His next book, on writing literary biography, is called The Impossible Craft.
Alexander S. Fobes completed his doctorate in comparative literature this year at the University of Colorado at Boulder, where he is currently a lecturer. Focusing on selected works of Fitzgerald, James Joyce, Vicente Huidobro, and Macedonio Fernández, his dissertation examines the innovative role of play in the creation of nonsense effects. His latest essays include a piece in Calandria titled "Quotidian Oddities: The Quasi-Surreal World of Felisberto Hernández and Haruki Murakami" and "Huidobro, Cagliostro: Demiurge as Mage," which appears in The Popular Avant-Garde.
Joseph Fruscione is currently adjunct assistant professor of first-year writing at George Washington University, where he has taught writing, American literature, and adaptation studies for thirteen years. He is the author of Faulkner and Hemingway: Biography of a Literary Rivalry (2012), as well as of an essay on Ralph Ellison and Hemingway in the collection Hemingway and the Black Renaissance (2012). He is currently editing the pedagogical anthology Teaching Hemingway and Modernism (forthcoming Fall 2014) and has written the chapter on Fitzgerald and Hemingway studies for American Literary Scholarship since 2010. In addition to book reviews for the F. Scott Fitzgerald Review, he recently participated in an online roundtable for The Millions about Baz Luhrmann's film.
Anna KéRchy is senior assistant professor at the University of Szeged. She holds a DEA in semiology from Université Paris VII, and a PhD in literature as well as a post-doctorate degree in translation and interpretation from the University of Szeged. She is the author of Body-Texts in Angela Carter. Writing from a Corporeagraphic Point of View (2008), editor of Postmodern Reinterpretations of Fairy Tales: How Applying New Methods Generates New Meanings (2011), co-editor of What Constitutes the Fantastic? (2010), of The Iconology of Law and Order (2012), and of Exploring the Cultural History of Continental European Freak Shows and Enfreakment (2012). Her research interests include gender studies, body studies, the post-semiotics of embodied subjectivity, corporeal narratology, intermedial cultural representations, Victorian and postmodern fantastic imagination, women's writing/art, and children's literature. Her current book project [End Page 204] focuses on the unspeakable and unimaginable image-text in Lewis Carroll's Alice tales and their postmodern adaptations.
Philip Mcgowan is senior lecturer in American literature at Queen's University Belfast and has published on Fitzgerald's The Great Gatsby and Tender Is the Night as well as on a number of other American writers including John Berryman, Anne Sexton, Elizabeth Bishop, and Saul Bellow.
Don Noble, professor emeritus of English at the University of Alabama, is the editor of Hemingway: A Revaluation (1983), Zelda and Scott/Scott and Zelda:Essays on the Fitzgeralds' Life, Work and Times (2005), and F. Scott Fitzgerald (2010) in the Salem Critical Insights series. He currently serves on the board of directors of the Fitzgerald Museum in Montgomery, Alabama.
Bruce Stone teaches writing at UCLA. He was the contributing editor of The Art of Desire: The Fiction of Douglas Glover (2004), and his fiction, essays, and reviews have appeared in Numéro Cinq, Miranda, Nabokov Studies, and Salon.
James L. W. West III is Sparks Professor of English at Pennsylvania State University, where he teaches a graduate seminar on Fitzgerald's life and literary career. He is the general editor of the Cambridge Fitzgerald Edition; he has recently finished the edition of Taps at Reveille for the series. He is at work on an e-book edition of Trimalchio, an early version of The Great Gatsby, to be published by Scribner.
Doni M. Wilson is associate professor of English at Houston Baptist University. She has an essay in Bryant Mangum's F. Scott Fitzgerald in Context and participated in Joseph Fruscione's Gatsby roundtable on The Millions. She is also a regular contributor to reflectionandchoice.org. [End Page 205]
