Abstract

What happens if the timeline implied in "bio-" in auto-biography is replaced by its spatial counterpart, "topo-"? Surely space is as influential for a person's sense of who she is as is the constantly changing series of discontinuities that constitutes a life. In this paper, an installation work by Louise Bourgeois is the interlocutor in my attempt to articulate what a spatial autobiography can be.

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Additional Information

ISSN
1529-1456
Print ISSN
0162-4962
Pages
pp. 180-202
Launched on MUSE
2002-01-01
Open Access
No
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