Authors of Articles in This Issue
- Authors of Articles in This Issue
Michael Fend is Reader in Musicology at King’s College London. His research interests cover the intellectual history of music and music historiography, issues of nationalism in music, the history of music theory, and the history of opera.
Kate Guthrie is a doctoral student at King’s College London, working on a thesis entitled ‘Sounds of War: Music and Politics in London, 1935–1949’. She holds a BA and M.Phil. from the University of Cambridge.
Thomas Irvine is Senior Lecturer in Music at the University of Southampton. His research interests include eighteenth-century musical culture, Anglo-German musical relations in the twentieth century, and music historiography.
Scott M. Sanders is a Lecturer-in-Discipline at Columbia University in the Department of French and Romance Philology. His research focuses on the intersections linking eighteenth-century literature, music, sound, and theories of sensibility.
Michael Talbot is Emeritus Professor of Music at the University of Liverpool. He is best known for his books, articles, and editions of music concerned with Italian, especially Venetian, music of the late Baroque, but his more recent research has included studies of composers and repertories in northern Europe with links to his core area. [End Page 379]
