Abstract

Through an analysis of A Single Man’s adaptation, reception, and aesthetic affect, this article argues that a workable theory of on-screen subjectivity ought to be rooted not in desire but in care, and in love as a special form of caring.

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Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 99-120
Launched on MUSE
2013-08-18
Open Access
No
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