"See you there. In the free." This is the closing statement in Erna Brodber's fourth novel, The Rainmaker's Mistake (2007). In the novel, Brodber creatively imagines a past for the New World present, taking advantage of the space literary speculation and science fiction offer to create a counterhistory of the present. Reading the novel through the lens of Afrofuturism and via Kamau Brathwaite's conception of a Caribbean cosmology and Sylvia Wynter's theories of aethetics, this essay examines the novel's representation of "the free": a rapidly changing present existing simultaneously with an imaginary past and slippery future, all unmediated by physical geography.