-
Volume 34 Contents
- New Literary History
- Johns Hopkins University Press
- Volume 34, Number 4, Autumn 2003
- pp. 813-815
- 10.1353/nlh.2004.0007
- Article
- Additional Information
- Purchase/rental options available:
New Literary History 34.4 (2003) 813-815
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Volume 34 Contents
Number 1 | Inquiries Into Ethics and Narratives | Winter 2003 |
Brian Stock | Reading, Ethics, and the Literary Imagination | 1 |
Winfried Fluck | Fiction and Justice | 19 |
Stanley Stewart | Was Wittgenstein a Closet Literary Critic? | 43 |
Gary Saul Morson | Narrativeness | 59 |
Ian Almond | Islam, Melancholy, and Sad, Concrete Minarets: | |
The Futility of Narratives in Orhan Pamuk's The Black Book | 75 | |
Lynn A. Casmier-Paz | Slave Narratives and the Rhetoric of Author | |
Portraiture | 91 | |
Helga Lénárt-Cheng | Autobiography as Advertisement: | |
Why Do Gertrude Stein's Sentences Get Under Our Skin? | 117 | |
Xiaoying Wang | A Time to Remember: The Reinvention of the | |
Communist Hero in Postcommunist China | 133 | |
Lawrence Lipking | Chess Minds and Critical Moves | 155 |
CONTRIBUTORS | 181 | |
BOOKS RECEIVED | 183 | |
Number 2 | Theorizing Genres I | Spring 2003 |
Ralph Cohen | Introduction | v |
Alastair Fowler | The Formation of Genres in the Renaissance and After | 185 |
Thomas Pavel | Literary Genres as Norms and Good Habits | 201 |
Mark Salber Phillips | Histories, Micro- and Literary: Problems | |
of Genre and Distance | 211 [End Page 813] | |
Barbara M. Benedict | The Paradox of the Anthology: Collecting and | |
Différence in Eighteenth-Century Britain | 231 | |
Dorothea von Mücke | Profession/Confession | 257 |
Peter Seitel | Theorizing Genres - Interpreting Works | 275 |
Peter Hitchcock | The Genre of Postcoloniality | 299 |
Rachel Gabara | Mixing Impossible Genres: David Achkar and | |
African Autobiographical Documentary | 331 | |
Susan Wells | Freud's Rat Man and the Case Study: | |
Genre in Three Keys | 353 | |
Hayden White | Commentary: Good of Their Kind | 367 |
CONTRIBUTORS | 377 | |
BOOKS RECEIVED | 379 | |
Number 3 | Theorizing Genres II | Spring 2003 |
Ralph Cohen | Introduction: Notes Toward a Generic | |
Reconstitution of Literary Study | v | |
Joseph Farrell | Classical Genre in Theory and Practice | 383 |
Gary Saul Morson | The Aphorism: Fragments from the | |
Breakdown of Reason | 409 | |
Fredric Jameson | Morus: The Generic Window | 431 |
Michael B. Prince | Mauvais Genres | 453 |
Margaret Cohen | Traveling Genres | 481 |
Stephen Bann | Questions of Genre in | |
Early Nineteenth-Century French Painting | 501 | |
Susan Stewart | Genres of Work: The Folktale and Silas Marner | 513 |
Jerome McGann | Herbert Horne's Diversi Colores (1891): | |
Incarnating the Religion of Beauty | 535 [End Page 814] | |
David Duff | Maximal Tensions and Minimal Conditions: | |
Tynianov as Genre Theorist | 553 | |
Yuri Tynianov | The Ode as an Oratorical Genre (tr. Ann Shukman) | 565 |
Hayden White | Commentary: Anomalies of Genre: | |
The Utility of Theory and History | ||
for the Study of Literary Genres | 597 | |
CONTRIBUTORS | 617 | |
BOOKS RECEIVED | 619 | |
Volume 4 | Multicultural Essays | Autumn 2003 |
Ingo Berensmeyer | No Fixed Address: Pascal, Cervantes, | |
and the Changing Function of Literary | ||
Communication in Early Modern Europe | 623 | |
David V. Mason | Who Is the Indian Shakespeare? | |
Appropriation of Authority in a Sanskrit | ||
Midsummer Night's Dream | 639 | |
Hollis Robbins | The Emperor's New Critique | 659 |
Karla Mallette | Misunderstood | 677 |
Adriana Craciun | Romantic Satanism and the Rise of | |
Nineteenth-Century Women's Poetry | 699 | |
Ulla Haselstein | Gertrude Stein's Portraits of Matisse and Picasso 723 | |
Sheldon H. Lu | Waking to Modernity: The Classical Tale in Late-Qing China | 745 |
Donald R. Wehrs | Sartre's Legacy in Postcolonial | |
Theory; or, Who's Afraid of Non-Western | ||
Historiography and Cultural Studies? | 761 | |
Michael Tratner | Derrida's Debt to Milton Friedman | 791 |
CONTRIBUTORS | 807 | |
BOOKS RECEIVED | 809 |
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