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HUNfANITIES 179 Vn'O"'IT'lI~ Woolf. Women and Fiction: The Mt4tnu~>criivt I A Room of One's Own. Edited Blackwell Publishers. 180 LEITERS IN CANADA 1992 is the narrator's to examine the mamUlSCl'lpt Esmond to determine whether his alterations were 'for the or the sense.' Feminist critics have out the in Woolfs A the of the the use of det'erI1mnedl rooms to ext,re!;s fiction is the sense. Now that the become one of the' most Sl~:n1Jt1C,m[ been made version COltnp.let:ea version of A Room is to reinforce one's sense l,t"",.~'I""U· ....1n,..."IATIt:~J'1l"J·C> As in ,.........'J. ....ll, in what she one It seems clear that her method was ar~~mlent:s, mletaph(Jrs, and exa,mtHeS revisions to and flesh out and the bits of qUIDtatlOIls text. of lcnc)wledLlZe 'scrawl' of Women and Fiction makes later has not ret>ea1tea GlS,Clalmers of of which are seem ironic. the tasks of the editor of a draft tranS(:Tl]:)tlc.n is readable without "''''..........A.''-J.J.I.F.. a SCl'\Ol~ars and teachers will also and Women and Ficovt ....oll'.... oll~. useful introduction - a I1tO!'I"!:I.l"'H recrealtloln of the lectures HUMANITIES 181 the honour.' Pamela ...........J ........ The Fictions With a Foreword Linda Hutcheon Tnh:7""'fi~;hl of Ottawa Press 1991. 232. $30.00 paper turns is a masculine nl',)~plrUp as handmaid or muse. To in each of Fowles's co:m}:)etl:!' and the former Ferdinand mE~mIOlf,S, uses Miranda to construct his 't-h1rn111t"rh a violation of both her values and 111"O9"~ Ili'U contains and emJelc::m€~s Tower are rather convoluted at times. No doubt she would evasions resorted to Fowles himself as he o..u."'-'..n~U".H to the gmmpses the ...

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