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  • Traces: Plankton on the Move
  • Cynthia Beth Rubin (bio), Susanne Menden-Deuer (bio), Elizabeth Harvey (bio), and Jerry Fishenden (bio)

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Still from Traces: Plankton on the Move, © 2012 Cynthia Beth Rubin. Elizabeth Harvey, Susanne Menden-Deuer.

Traces is a collaboration between the artist Cynthia Beth Rubin and the Menden-Deuer Lab at the Graduate School of Oceanography, University of Rhode Island, which studies plankton, the microscopic marine creatures that comprise the most basic piece of our food chain. The original micro-captures are of specimens in small batches of water, devoid of any association with their native environment, and filmed in flat grays. In Rubin’s transformation of the raw video, she imagines the plankton moving in water that is infinitely deep, making these mystical creatures leap beyond the confines of the microscopic world into an enticing world of color and movement that begs us to relate to them as part of nature. She does not just reveal the generally unseen life in our ocean waters; she makes it accessible. [End Page 412]


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Still from Traces: Plankton on the Move, © 2012 Cynthia Beth Rubin. Raw video by Elizabeth Harvey, Susanne Menden-Deuer


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The scientific study of plankton motility was funded by the National Science Foundation (Biological-Oceanography Award 0826205 to S. Menden-Deuer).

The series grew from a practical concern. Researcher Elizabeth Harvey captured the image of a magical moment: an encounter between a predator, Favella, and its prey, Heterosigma akashiwo. The color balance of that image needed an artist’s touch to come alive. From this scientifically accurate work, Rubin moved to bringing the same sense of imagination and wonder to the world of microscopic plankton that she has long explored in the world of imagined human memories. What does it take to make the depiction of a space feel real, inhabitable, and even familiar? How can we step out of our own world into the activity of the ocean?

Technology makes this possible. From the digital capture of microscopic plankton to the ability to put these images into analytical and modifying video software, technology makes the intertwining of visual sources an avenue for exploration. At the outset, the artist spent weeks understanding the forms of the plankton, learning to relate to them, and generating variations of the video. The final colored version was selected in discussion with the scientists, balancing scientific and artistic focus. The sound score by Jerry Fishenden was composed specially to add classic drama to the video. [End Page 413]

Cynthia Beth Rubin

Cynthia Beth Rubin
C B Rubin Studio
rubin@siggraph.org
CBRubin.net

Susanne Menden-Deuer

Susanne Menden-Deuer
University of Rhode Island
www.gso.uri.edu/smdlab

Elizabeth Harvey

Elizabeth Harvey
University of Rhode Island
gso.uri.edu/elizabeth-harvey

Jerry Fishenden

Jerry Fishenden
Independent Composer/Developer fishenden.com

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