Abstract

This study explores the role of material religion and healing practices of Kongo traditions in Central Africa and the Caribbean. Using Max G. Beauvoir's notion that "Illness . . . results from a breach . . . that engenders conditions of disequilibrium, disharmony, chaos, and disorder," I examine how AfroAtlantic ritual works conjure subversive histories and manage spiritual and social afflictions. Instruments of healing in the physical and metaphysical realms, Haitian pakèt kongo and Congolese minkisi reveal the intersection of aesthetic work and ritual curative, serving as healing bundles in the Black Atlantic (what Dianne Diakité identifies as "ritual technologies"). Consequently, these sacred art forms perform ritual work to mediate ruptures in the cosmos caused by human chaos. My work examines pakèt kongo and minkisi as modes of spiritual communion; as religious archive and curative art; and as active ritual agents of community, ultimately helping to establish new narratives of religious history in Kongo's many Diasporas.

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