Volume Index

Volume 18 corresponds to issues 52-54.

Melinda Barlow
Feminism 101: The New York Women's Festival, 1972-1980. No. 54; pp. 3-39.

Burlin Barr
Too Close, Too Far: Cultural Composition in Straub and Huillet's Too Early, Too Late. No. 53; pp. 1-25.

Sean Desilets
The Rhetoric of Passion. No. 53; pp. 57-91.

Pat Gill
Taking It Personally: Male Suffering in 8MM. No. 52; pp. 157-87.

Roger Hallas
AIDS and Gay Cinephilia. No. 52; pp. 85-127.

Heather J. Hicks
Hoodoo Economics: White Men's Work and Black Men's Magic in Contemporary American Film. No. 53; pp. 27-55.

Anikó Imre
Twin Pleasures of Feminism: Orlando Meets My Twentieth Century. No. 54; pp. 177-211.

Ruth D. Johnston
The Jewish Closet in Europa, Europa. No. 52; pp. 1-33.

Alexandra Juhasz
No Woman Is an Object: Realizing the Feminist Collaborative Video. No. 54; pp. 71-97.

Alisa Lebow
Memory Once Removed: Indirect Memory and Transitive Autobiography in Chantal Akerman's D'est. No. 52; pp. 35-83.

Maria Margaroni
Jane Campion's Selling of the Mother/Land: Restaging the Crisis of the Postcolonial Subject. No. 53; pp. 93-123.

Laura U. Marks
What Is That and between Women and Video? The Case of Beirut.
No. 54; pp. 41-69.

Eve Oishi
Interview with Patty Chang. No. 54; pp. 119-29.

Fatimah Tobing Rony
The Quick and the Dead: Surrealism and the Found Ethnographic Footage of Bontoc Eulogy and Mother Dao: The Turtlelike. No. 52; pp. 129-55.

Andrew Schopp
The Practice and Politics of "Freeing the Look": Jonathan Demme's The Silence of the Lambs. No. 53; pp. 125-51.

Maureen Turim
Marina Abramovic´'s Performance: Stresses on the Body and Psyche in Installation Art. No. 54; pp. 99-117.

Sharon Willis
The Politics of Disappointment: Todd Haynes Rewrites Douglas Sirk. No. 54; pp. 131-75.