Abstract

The creative re-telling of biblical stories represents an important element of reception history, for texts take on new meanings in these generative contexts. This article explores the presentation of Sarah in an account of the Aqedah found in a fifth-century Syriac verse homily. The pseudonymous author features Sarah prominently, in particular her longing to commemorate Isaac after his apparent death. Here Sarah’s desires are specifically couched in the language of the cult of the saints, making her a model of late antique female piety. However, her activities are also restricted by the voice of Abraham, and she willingly concedes. I argue that the author of this homily presents Sarah as a model of female piety but also female subservience, in order to reinforce patriarchal control over female itinerancy and cultic practice.

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Additional Information

ISSN
1086-3184
Print ISSN
1067-6341
Pages
pp. 241-259
Launched on MUSE
2013-06-13
Open Access
No
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