Abstract

This article examines Suzuki Tadashi's intercultural progress in South Korea focusing on his production of Electra (2008) with a Korean cast. This production led Suzuki to build his satisfying network with Korean performers and propel his active participation in Korean theatre festivals as a director as well as a festival organizer. This article aims to provide a new approach to understand Suzuki's interculturalism within East Asia.

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Additional Information

ISSN
1527-2109
Print ISSN
0742-5457
Pages
pp. 207-222
Launched on MUSE
2013-06-06
Open Access
No
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