Abstract

The author discusses an architectural installation incorporating the holographic shadows of water installed in a miniature townscape as part of a collaborative, developmental, group exhibition. The installation concept is outlined and its impact on the ability to stimulate architectural interventions, which would not normally be possible within a full-scale environment, is considered. The influence of a major large-scale holographic installation is outlined and the requirement to suspend belief, within the current exhibition, is discussed.

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 288-289
Launched on MUSE
2013-06-01
Open Access
No
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