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  • Color Plates

Color Plate A


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No. 1. Katsura Isobe as RedMutant with acoustic sleeve and partial corset, performing in UKIYO, in front of Olu Taiwo (at back left) as The Trickster with wireless headset and audience members. KIBLA Media Arts Center, 2010. (© DAP-Lab) (See article by Johannes Birringer and Michèle Danjoux in this issue.)


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No. 2. UKIYO, KIBLA Media Arts Center, 2010. Helenna Ren as SpeakerWoman wears PVC trouser suit, shin pads and foam asymmetric hat and carries martial bo (staff) with 20W suspended spherical loudspeakers. (© DAP-Lab) (See article by Johannes Birringer and Michèle Danjoux in this issue.)

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Color Plate B


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Malcolm Park, photograph of image projected inside the camera obscura box, 2009. The original photograph (see Fig. 4: Stage 3 in main article), taken with a wide-angle lens and an exposure time of 2 seconds, was computer-corrected so that its format matched that of the actual image projected onto the white panel and was rotated 180º. (© Malcolm Park)

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Color Plate C


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No. 1. Accessing the social world is an important aspect of i-metro. Advanced application programming interfaces (API) such as Foursquare produce another city—one of layered opportunities and data, access to which is most useful when people are on the go. <http://vimeo.com/37714273> (© Vincent Velasco) (See article by Thérèse F. Tierney in this issue.)


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No. 2. Grisha Coleman, screenshot of echo::system data map from the installation, showing walk from the contemporary Centerpoint Condos to the ancient Casa Grande Monument. (© Grisha Coleman)

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 211-213
Launched on MUSE
2013-06-01
Open Access
No
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