- To fight means to fight what you're doing
after Christophe Marchand-Kiss
In a moment, I'll be talking to you about gender. How it's all cut up, collaged, re-pasted with sticky tape to my man parts. But for the moment let's say something is cutting into my side— a metaphoric girdle. I am a building and I am music. Bones buckle under my weight. I cry a counterweight. Flowers are a certain color.
Now a confession: I'm a pedal-phile and I think authority comes in code. We hotel a hundred times. We motel a million times a million. Only one face stands photographed. Only one way to photosynthesize; one grand ocean.
My ego alters. Two or three things more rise up to eye level: branches, sickness, and a clearing. You make a glorious reflection. You make a thought. We are two trees.
From the hotel, the street signs are shadowed. We believe we believe too much. We advance into the high grass. We save a place among the hotel parking lots. [End Page 44]
Laura Wetherington's first book, A Map Predetermined and Chance (Fence, 2011), was selected by C. S. Giscombe for the National Poetry Series. She has poems in or forthcoming in Drunken Boat, Sonora Review, BathHouse Hypermedia Journal, Fence, Otoliths, Verse, Eleven Eleven, and others. Her chapbook, Dick Erasures, is available as an e-book from Red Ceilings Press. Her current work includes Emily Dickinson erasures and translation experiments.