Abstract

The article investigates contemporary European novels that challenge the borders between fiction and nonfiction. Analyzing, among others, works by Antonio Franchini, Javer Cercas and Jonathan Littell, I seek to demonstrate that today’s use of a hybrid genre serves authors as a narrative device to prove the factual truth of their narrations, therefore assuring their social relevance, without losing the capacity to convey a archetypical, meaning of human history. From this perspective I analyze the connections between literature and ethics, suggesting a theory of recognition between the reader and the character and examining in particular the problematic case of the reader’s identification with a morally flawed character.

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