Abstract

This essay examines Joe Sacco's graphic strategies for representing the pain of others in his first collected work, Palestine. In particular, I argue that Sacco draws on a kind of "haptic visuality" when representing pain and suffering and, in doing so, reformulates standard forms of looking at "the other."

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Additional Information

ISSN
1925-5683
Print ISSN
0027-1276
Pages
pp. 19-36
Launched on MUSE
2013-03-11
Open Access
No
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