- Two Poems
Terra Nullius
By the time we arrived, people were already burying their dead, lives spent on rock, claiming This is our land, before sliding back into the earth, or dispersing as ash on the sea, their voices a mist over the waves. Digging deeper we found even older bones— some diseased or bludgeoned—these first settlers who paddled into vastness in search of terra nullius.
We deplaned with our luggage and ambitions, with dreams of deliverance, but no one stays for long. Each wave routs the one before it, until the day comes when the sea itself rises and swallows the island and all our bones and flags. [End Page 90]
Landscape Painting
for my father, “Doc” Long The burning slipstream of war pulls everyone into its current— the dead, the living, the living dead, my father. Who did my mother marry? Never quite here nor there, the lush jungles of Vietnam and Hawaii, one dissonant world. He left behind paintings lost to me now: redwoods, pines, snow-capped peaks, rivers so frothy and alive we could hear them rushing by in the living room. Were these landscapes his desire or memory? Places he would go as he stalked through rice paddies, undergrowth tumescent with rot, faces without sound, the constant whisper, This could be your day, Doc, heart thumping in its cage like any animal’s, malaria stirring him and everyone into a fevered dream.
He would drink, my mother said, and disappear. I see him walking, each night, down a long booby-trapped road seared plains on either side, his path of glass splintering and cracking under his heavy, moonshined boots, his face in shards. Not a father, not a husband, not the man he was before. [End Page 91]
Naomi Long was born in Korea and raised in Hawai‘i. She has an MFA from the Iowa Writers’ Workshop and lives in Los Angeles.