Abstract

The author has produced three new arja:

Meeting in Tampaksiring (Katemu Ring Tampaksiring, 2004 ), King Adhipusengara (Prabu Adhipusengara, 2006), and Rape of Sukreni (Sukreni Gadis Bali, 2008). While keeping the essential elements of arja intact, each production shows significant aesthetic changes and theatrical innovations, intended to prevent arja from disappearing in globalized Bali.

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Additional Information

ISSN
1527-2109
Print ISSN
0742-5457
Pages
pp. 466-494
Launched on MUSE
2013-02-14
Open Access
No
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