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  • Contributors

Florence S. Boos is Professor of English at the University of Iowa. She is the editor of History and Community: Essays in Victorian Medievalism (1992) and author of The Design of William Morris' The Earthly Paradise (1991).

Benjamin F. Fisher, Professor of English at the University of Mississippi, has published a study of the reception of A Shropshire Lad in A. E. Housman: A Reassessment, ed. Alan W. Holden and J. Roy Birch (1999), and a study of British reception of The Red Badge of Courage in Stephen Crane in War and Peace, ed. James H. Meredith (1999). He is editing the letters of Ella D'Arcy.

Mary Ellis Gibson, Professor of English at the University of North Carolina at Greensboro, is author of History and the Prism of Art: Browning's Poetic Experiments (1987), editor of Critical Essays on Robert Browning (1992), and author of Epic Reinvented: Ezra Pound and the Victorians (1995).

Donald E. Hall is Professor of English at California State University, Northridge. His most recent book is The Academic Self: An Owner's Manual, published by Ohio State University Press. He will be editing a redesigned Victorian studies series at that press under the new general title “Victorian Critical Interventions.”

Linda K. Hughes is Professor of English at Texas Christian University. She is the author of The Manyfacèd Glass: Tennyson's Dramatic Monologues (1987) and co-author, with Michael Lund, of The Victorian Serial (1991).

Robert Inglesfield teaches at Birbeck College, University of London. He is currently editing two volumes of the Oxford edition of Robert Browning's Poetical Works.

Norman Kelvin is Distinguished Professor of English in the City College and at the Graduate Center of the City University of New York. He is the author of books on George Meredith and E. M. Forster, has published many articles on British and American literature, and is the editor of the four-volume edition of The Collected Letters of William Morris.

Jeffrey B. Loomis teaches at Northwest Missouri State University. He is the author of Dayspring in Darkness: Sacrament in Hopkins (1988).

Margot K. Louis is Associate Professor of English at the University of Victoria and author of Swinburne and His Gods: The Roots and Growth of an Agnostic Poetry (1990).

Clinton Machann is Professor of English at Texas A&M University. Among his recent publications are The Genre of Autobiography in Victorian Literature (1994), The Essential Matthew Arnold: An Annotated Bibliography of Major Modern Studies (1993), and Matthew Arnold: A Literary Life (1998).

Thomas McLean is completing a dissertation at the University of Iowa on British Romanticism's engagement with Poland and the Russian Empire. His work also appears in The Wordsworth Circle, Keats-Shelley Journal, and the Huntington Library Quarterly.

Rosemarie Morgan is a Fellow at Yale University. She is author of Women and Sexuality in the Novels of Thomas Hardy (1988) and Cancelled Words: Rediscovering Thomas Hardy (1992); editor of Days to Recollect: Essays in Honour of Robert Schweik (2000); and, with Richard Nemesvari, of Human Shows: Essays in Honour of Michael Millgate (2000).

Margaret M. Morlier is an Associate Professor of English at Reinhardt College. She has published articles about Elizabeth Barrett Browning in Victorian Literature and Culture as well as Studies in Browning and His Circle. She has also published articles about Christina Rossetti and Gerard Manley Hopkins in The Journal of Pre-Raphaelite Studies and Victorian Poetry.

Francis O'Gorman is Senior Lecturer in Victorian Literature at the University of Leeds. His books include John Ruskin (1999), Late Ruskin: New Contexts (2001), and the forthcoming Victorian Poetry: An Annotated Anthology (2004). He is currently writing about nineteenth-century Venice, and Victorian poetry and immortal life.

David G. Riede, Professor of English at Ohio State University, has written books on Arnold, Dante Gabriel Rossetti, and Swinburne. His most recent book is Dante Gabriel Rossetti Revisited (1992).



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