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Contents of Volume XXVIII Number I, March 1985 Cinema, Theater and Opera: Modem Drama as Ceremony I BENJAMIN K. BENNETT Samuel Beckett's Media Plays 22 LINDA BEN-ZVI All That Fall as "a Play for Radio" 38 THOMAS F. VAN LAAN Toward a Poetics of Television Technology: Beckett's Nacht und Triiume and Quad 48 ENOCH ORATER The Transformation of a Pinter Screenplay;. Freedom and Calculators in The French Lieutenant's Woman 55 SHOSHANA KNAPP The Basement: Harold Pinter on BBC-TV 7 I CHRISTOPHER C. HUDGINS Drama into Film: The Shaffer Situation 83 C.J. GIANAKARlS 700 Index Drama and the Media in Britain 99 MARTIN ESSLlN Screening the Camera's Eye: Black and White Confrontations of Technological Representation 110 TIMOTHY MURRAY The Filmic Cut and "Switchback" in the Plays of Sam Shepard ] 25 DENNIS CARROLL Imitating an Icon: John Erman's Remake of Tennessee Williams's A Streetcar Named Desire 139 JUNE SCHLUETER Murderous Enactments: The Media's Presence in the Drama 148 ROSETTE C. LAMONT Two Mephistos: A Study in Dialectics 162 RlNDA LUNDSTROM Film and Theatre: Some Revisionist Propositions 171 BERNARD F. DUKORE BOOK REVIEWS VAN ANTWERP, MARGARET A. AND SALLY JOHNS, eds., Dictionary of Literary Biography Documentary Series: An Illustrated Chronicle. Volume Four: Tennessee Williams by R. B. Parker ]80 BENSON, EUGENE, J.M. Synge by David Krause 182 CALANDRA, DENIS, New German Dramatists by June Schlueter 184 Number 2, June ]985 Television Drama and the People's War: David Hare's Licking Hitler. Ian McEwan's The Imitation Game. and Trevor Griffiths's Country 189 RICHARD JOHNSTONE Index The Politics of the Earlier Arden 198 MICHAEL COHEN The Proletarian Carnival of Fa's Non si paga! 21 I MARTIN W. WALSH Modem Drama Studies: An Annual Bibliography 223 CHARLES A. CARPENTER Number 3, September 1985 Beckett's Three Dimensions: Narration, Dialogue, and the Role of the Reader in Play 329' KAREN LAUGHLIN Beckett's Catastrophe 341 ANTONI LIBERA The Director-Playwright Relationship of Louis Jouvet and Jean Giraudoux 348 JAMES NORWOOD Alexandre Dumas's Kean: An Adaptation by lean-Paul Sartre 355 LOUISE FIBER LUCE The Politics of Theater: Play. Deceit, and Threat in Genet's The Blacks 362 UNA CHAUDHURI The Family and Society in the Plays of Ioneseo 377 DAVID EDNEY Dreams, Myth, and Politics in Ionesco's L'Homme aux valises 388 DEBORAH B. GAENSBAUER Artaud and the Balinese Theatre 397 PATRICIA A. CLANCY 701 702 Index A Sense of Direction: The Author in Contemporary French Theater 413 JANICE BERKOWITZ Patriarchy, Sexuality and Oedipal Conflict in Buera Vallejo's EI concierlO de San Ovidio 431 BARRY JORDAN Theater of Impotence: The One-Act Tragedy at the Tum of the Century 45' GAIL FINNEY The Art and the Business of W.S. Gilbert's Engaged 462 BERT CAROULLO W. Stanley Houghton: An Introduction and Bibliography 474 PAUL MORTIMER A Hennit Dramatized 490 KATHY J. GENTILE BOOK REVIEWS TRUSSLER, SIMON, ed., New Theatre Voices of the Seventies: Sixteen 11lterviewsfrom Theatre Quarterly 1970-1980 by Austin E. Quigley 500 MARRANCA, BONNIE, Theatrewritings by Rodney Simard 503 THOMAS, DAVID, Henriklbsen by Charles Leland 505 GIBBS, A.M., The Art andMind a/Shaw: Essays in Criticism by Bernard F. Dukore 506 SMITH, WARREN SYLVESTER, Bishop ofEverywhere: Bernard Shaw and the Life Force by Barbara B. Brown 508 WHITAKER, THOMAS , Tom Stoppard by Victor L. Cahn 510 LYONS, CHARLES R., Samuel Beckett by Breon Mitchell 512 MILLER, ARTHUR, Salesman in Beijung by Robert A. Martin 513 Number 4, December 1985 The Circle Closed: A Psychological Rcading of The Glass Menagerie and The Two Character Play 517 R.B. PARKER Index History and Other Spectres in Arthur Miller's The Crucible 535 E. MILLER DumeK Past, Present, and Future Converged: The Place of More Stately Mansions in the Eugene O'Neill Canon 553 MICHAEL SELMON To Damascus I: Reading the Set 563 NATALIE SANDLER What Makes a Masterpiece? Ibsen and the Western World 581 ROLF FIELDE Why Does Hedda Gabler Marry JliSrgen Tesman? 591 STEIN HAUGOM OLSEN Elizabeth Robins and the 189I Production of Hedda Gabler 611 JOANNE E. GATES W.B. Yeats and F10rence Farr: The Influence of the "New Woman" Actress on Yeats's Changing...

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