Abstract

Activist and political art works, particularly feminist ones, are frequently either dismissed for their illegitimate combination of the aesthetic and the political, or embraced as chiefly political works. Flawed conceptions of politics and the imagination are responsible for that dismissal. An understanding of the imagination is developed that allows us to see how political work and political explorations may inform the artistic imagination.

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Additional Information

ISSN
1527-2001
Print ISSN
0887-5367
Pages
pp. 189-213
Launched on MUSE
2003-12-11
Open Access
No
Archive Status
Archived 2009
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