Abstract

In Le Jeu de Robin et Marion, Adam de la Halle transforms the lyric pastourelle into theater. As a result of the material and temporal immediacy of theater, the primary feminine character gains a new type of power with respect to her fellow protagonists, the spectator, and the writer himself.

pdf

Additional Information

ISSN
2166-5486
Print ISSN
1077-825x
Pages
pp. 16-30
Launched on MUSE
2016-04-06
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.