Abstract

This article reviews an exhibition of the works of Vladimir Griegorovich Tretchikoff (1913-2006) that was mounted at the Iziko South African National Gallery in May 2011. Nwafor suggests that the posthumous show marked a turning point in Tretchikoff's artistic career by bringing his works, for the first time, into the art establishment that initially rejected him.

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Additional Information

ISSN
2152-7792
Print ISSN
1075-7163
Pages
pp. 142-147
Launched on MUSE
2013-02-07
Open Access
No
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