Abstract

Margaret Laurence employs masks, both literal and figurative, in her fiction and nonfiction, both African and Canadian, to convey her characters' personae. The connections between her life and work suggest that her Canadian heroines are facets, or masks, of Laurence's self.

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Additional Information

ISSN
1925-5683
Print ISSN
0027-1276
Pages
pp. 155-174
Launched on MUSE
2012-12-16
Open Access
No
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