Abstract

Integrating post-Operaismo social theory with recent turns in performance studies shows how such theory complicates and is complicated by cross-arts questions around virtuosity and affective labor. Such complications emerge, not only in the contemporary art sphere, but also in the history and theory developed by performance studies as a discipline.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 10-31
Launched on MUSE
2012-11-29
Open Access
No
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