-
Index to Volume 32 (1998-99)
- Comparative Drama
- Western Michigan University
- Volume 32, Number 4, Winter 1998-1999
- pp. 603-604
- 10.1353/cdr.1998.0014
- Article
- Additional Information
Index to Volume 32 (1998-99) Bai, Ronnie: Dances with Mei Lanfang: Brecht and the Alienation Effect ......................... 389 Bevington, David: Lyly's Endymion and Midas: The Catholic Question in England ......................... 26 Cartwright, Kent: The Confusions of Gallathea: John LyIy as a Popular Dramatist ........................ 207 Cox, John D.: Stage Devils in English Reformation Plays ........... 85 Harris, Max: Fireworks, Turks, and Long-Necked Mules: Pyrotechnic Theater in Germany and Catalonia .............. 362 Hassel, R. Chris, Jr.: Painted Women: Annunciation Motifs in Hamlet ... 47 Hunt, Maurice: The Hybrid Reformations of Shakespeare's Second Henriad ........................ 176 Massey, Dawn: Veritas filia Temporis: Apocalyptic Polemics in the Drama of the English Reformation ................... 146 Maynard, Stephen: Feasting on Ayre: Community, Consumption, and Communion in The Shoemaker's Holiday ............... 327 Nichols, Nina da Vinci: Pirandello, the Sacred, and the Death of Tragedy .............................. 240 Plesch, Véronique: Walls and Scaffolds: Pictoral and Dramatic Passion Cycles in the Duchy of Savoy .......... 252 Poole, Kristen Elizabeth: Garbled Martyrdom in Christopher Marlowe's The Massacre at Paris .................................. 1 Reid, Robert L.: Epiphanal Encounters in Shakespearean Dramaturgy ........................... 518 Rossi, Doc: Hamlet and The Life of Galileo .................... 496 Ryan, Patrick: Marlowe's Edward II and the Medieval Passion Play . . . 465 Said, Aleya A.: Wavering Identity: A Pirandellean Reading of Saadallah Wannus's The King Is King ................... 347 Stanton, Stephen S.: Trolls in Ibsen's Late Plays ................. 541 Tipton, Alyada J.: "The meanest man . . . shall be permitted freely to accuse": The Commoners in Woodstock ............. 117 REVIEWS SUMMER: Derek Hughes, English Drama 1660-1700 (Michael Cordner); Charlotte Stern, The Medieval Theater in Castile (Manuel J. Gómez-Lara); Stanley Weintraub, Shaw 's People: Victoria to Churchill, Sally Peters, Bernard Shaw: The Ascent ofSuperman, and Tracy C. Davis, George Bernard Shaw and 603 604Comparative Drama the Socialist Theatre (James Coakley); Minoru Fujita and Leonard Pronko, eds., Shakespeare East and West (Ralph Berry); Brian Crow with Chris Banfield, An Introduction to Post-Colonial Theatre (Janet V. Haedicke); Huston Diehl, Staging Reform: Protestantism and Popular Theater in Early Modern England (R. Chris Hassel, Jr.); Karen Laughlin and Catherine Schuler, eds., Theatre and Feminist Aesthetics (Regula Meyer Evitt); Viviana Comensoli, "Household Business ": Domestic Plays ofEarly Modern England (Greg Walker); Alexandra F. Johnston and Wim Hüsken, eds., English Parish Drama (Margaret Rogerson ); Susan Young, The Use of Dramatic Works of Shakespeare in teatro di gigura in Italy (Doc Rossi); Michael R. Booth, Three Tragic Actresses: Siddons, Rachel, Ristori (Anne Russell). FALL: Dale Cockrell, Demons ofDisorder: Early Blackface Minstrels and Their World (John Saillant); Wadda C. Ríos-Font, Rewriting Melodrama: The Hidden Paradigm in Modern Spanish Theater (Elena Garcia-Martin); Clifford Ronan, "Antike Roman ": Power Symbology and the Roman Play in Early Modern England (Margaret Arnold); J. Michael Walton and Peter D. Arnott, Menander and the Making ofComedy (Robert C. Ketterer); Alexandra F. Johnston and Wim Hüsken, eds., Civic Ritual and Drama (John J. McGavin); Jane Marie Law, Puppets ofNostalgia: The Life, Death, and Rebirth ofthe Japanese Awaji Ningyo Tradition (Kunikazu Iwane); Gary Jay Williams, Our Moonlight Revels: A Midsummer Night's Dream in the Theatre (Ralph Berry); Charles Segal, Sophocles ' Tragic World: Divinity, Nature, Society (E. Christian Kopff); Peter Happé, John Bale (Erick Kelemen); James Acheson, Samuel Beckett's Artistic Theory and Practice: Criticism, Drama and Early Fiction, and James Knowlson , Damned to Fame: The Life ofSamuel Beckett (Dawn Duncan). WINTER: John D. Cox and David Scott Kastan, eds., A New History of Early English Drama (Stephen K. Wright); C. Christopher Soufas, Audience and Authority in the Modernist Theater ofFederico Garcia Lorca (Carolyn J. Harris); Coppélia Kahn, Roman Shakespeare: Warriors, Wounds, and Women (Clifford Ronan); Claire Sponsler, Drama and Resistance: Bodies, Goods, and Theatricality in Late Medieval England (Clifford Davidson); Jonathan Baldo, The Unmasking ofDrama: Contested Representation in Shakespeare's Tragedies (Cynthia Marshall); Richard Hillman, Self-Speaking in Medieval and Early Modern English Drama: Subjectivity, Discourse, and the Stage (Sara Eaton). ...