- Index to Volume 54 of Criticism 2012
Volume 54, Number 1, pp. 1–180
Volume 54, Number 2, pp. 181–351
Volume 54, Number 3, pp. 353–483
Volume 54, Number 4, pp. 485–662
Articles
Arnold, Whitney. The Secret Subject: Michel Foucault, Death and the Labyrinth, and the Interview as Genre. | 567 |
Bates, Jennifer. Hegel’s Inverted World, Cleopatra, and the Logic of the Crocodile. | 427 |
Byville, Eric. Aesthetic Uncommon Sense: Early Modern Taste and the Satirical Sublime. | 583 |
Cornyetz, Nina. Murakami Takashi and the Hell of Others: Sexual (In)Difference, the Eye, and the Gaze in ©Murakami. | 181 |
Curran, Kevin. Feeling Criminal in Macbeth. | 391 |
Curran, Kevin, and James Kearney. Introduction. | 353 |
Dabovic, Safet. Out of Place: The Travels of Nicholas Said. | 59 |
deGruy, Karma. Desiring Angels: The Angelic Body in Paradise Lost. | 117 |
DeLand, Lauren. Black Skin, Black Masks: The Citational Self in the Work of Glenn Ligon. | 507 |
Haines, Christian. Life in Crisis: The Biopolitical Ambivalence of Joseph Conrad’s The Secret Agent. | 85 |
Isaacson, Johanna. Postmodern Wastelands: Underworld and the Productive Failures of Periodization. | 29 |
Jackson, Ken. All Is True—Unless You Decide in Advance What Is Not. | 469 |
Jacobs, Nicole A. Robbing His Captive Shepherdess: Princess Eliza- beth, John Milton, and the Memory of Charles I in the Eikon Basilike and Eikonoklastes. | 227 |
Kearney, James. “This is above all strangeness”: King Lear, Ethics, and the Phenomenology of Recognition. | 455 |
Kietzman, Mary Jo. Will Personified: Viola as Actor-Author in Twelfth Night. | 257 |
Knapp, James A. Static and Transformative Images in Shakespeare’s Dramatic Art. | 377 |
Kottman, Paul A. No Greater Powers Than We Can Contradict. | 445 |
Lupton, Julia Reinhard. Macbeth’s Marlets: Shakespearean Phe- nomenologies of Hospitality. | 365 |
McCooey, David. Poetry, Terrorism, and the Uncanny: “Timothy McVeigh’s ‘Invictus.’” | 485 |
Mickalites, Carey. Fairies and a Flâneur: J. M. Barrie’s Commercial Figure of the Child. | 1 |
Ragain, Nathan. A “Reconcepted Am”: Language, Nature, and Collectivity in Sun Ra and Henry Dumas. | 539 |
Smith, Bruce R. Phenomophobia, or Who’s Afraid of Merleau-Ponty? | 479 |
Strycharski, Andrew. Ethics, Individualism, and Class in John Webster’s The White Devil. | 291 |
Waldron, Jennifer. “The Eye of Man Hath Not Heard”: Shakespeare, Synaesthesia, and Post Reformation Phenomenology. | 403 |
Wee, C. J. W.-L. Imagining the Fractured East Asian Modern: Commonality and Difference in Mass-Cultural Production. | 197 |
Witmore, Michael. Shakespeare, Sensation, and Renaissance Existentialism. | 419 |
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Reviews
Bascara, Victor. “In the Midst of and at the Edges of this Maelstrom”: Experience and Archives after the Falling Away: On Things Fall Away: Philippine Historical Experience and the Makings of Globalization, by Neferti X. M. Tadiar. | 323 |
Clune, Michael. Lyric Poetry as Society: On Infidel Poetics: Riddles, Nightlife, Substance, by Daniel Tiffany. | 159 |
Gaudio, Michael. The Art of Undeceiving: On Citizen Spectator: Art, Illusion, and Visual Perception in Early National America, by Wendy Bellion. | 659 |
Hensley, Nathan K. Figures of Reading: On Novel Violence: A Narratology of Victorian Fiction, by Garrett Stewart. | 329 |
Hetrick, Ashley. E Pluribus Unum: On On Lingering and Being Last: Race and Sovereignty in the New World, by Jonathan Elmer. | 175 |
Huang, Vivian L. Piling Up, or Floating Away: On The Feeling of Kinship: Queer Liberalism and the Racialization of Inti- macy, by David L. Eng. | 317 |
Palumbo-Liu, David. Crossing the Lines: Masao Miyoshi’s Tres- passes: On Trespasses: Selected Writings, by Masa Miyoshi. | 343 |
Pruchnic, Jeff. Postcriticial Theory? Demanding the Possible: On Walled States, Waning Sovereignty, by Wendy Brown; Cos- mopolitics I by Isabelle Stengers; Fanaticism: On the Uses of an Idea by Alberto Toscano; and Envisioning Real Utopias by Erik Olin Wright | 637 |
Rebentisch, Juliane. City Pictures: On Mixed Use, Manhattan: Photography and Related Practices, 1970s to the Present, edited by Lynne Cooke and Douglas Crimp, with Kristin Poor. | 151 |
Smith, Lindsay. Photographic Simulation and Nineteenth-Century Expression: On Darwin’s Camera: Art and Photography in the Theory of Evolution, by Phillip Prodger. | 167 |
Stadler, Gustavus. Art Music and the Machine: On Absolute Music, Mechanical Reproduction, by Arved Ashby. | 633 |
Vincent, J. Keith. Shame Now: Ruth Leys Diagnoses the New Queer Shame Culture: On From Guilt to Shame: Auschwitz and After, by Ruth Leys. | 623 |
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