Index to Volume 31 (1997-98)

Index to Volume 31 (1997-98) Bevis, Richard: Pedagogy, Prospectus: Redesigning "Restoration and Eighteenth-Century English Drama" .......... 178 Bowyer, T. H.: Warren Hastings in the Drama of Lion Feuchtwanger and Bertolt Brecht: Contexts and Connections ..... 394 Charney, Maurice: The Voice of Marlowe's Tamburlaine in Early Shakespeare ................................. 213 Canfield, J. Douglas: The Classical Treatment of Don Juan in Tirso, Molière, and Mozart: What Cultural Work Does It Perform? ...... 42 Curran, John E., Jr.: Royalty Unlearned, Honor Untaught: British Savages and Historiographical Change in Cymbeline ..... 277 Davidson, Clifford: Sacred Blood and the Medieval Stage .......... 436 DeRitter, Jones: "Wonder not, princely Gloster, at the notice this paper brings you": Women, Writing, and Politics in Jane Shore ........ 86 Diller, Hans-Jürgen: Code-Switching in Medieval English Drama ..... 506 Dowling, John: Fortunes and Misfortunes of the Spanish Lyric Theater in the Eighteenth Century ............................. 129 Harris, Max: A Catalan Corpus Christi Play: The Martyrdom of St. Sebastian with the Hobby Horses and the Turks ......... 224 Hughes, Derek: Body and Ritual in Farquhar ................... 414 Who Counts in Farquhar ................................ 7 Mazzaro, Jerome: The Mystère d'Adam and Christian Memory ....... 481 McClymonds, Marita Petzoldt: Bianca de'Rossi as Play, Ballet, Opera: Contours of "Modern" Historical Tragedy in the 1790s ......... 158 Noble, Yvonne: Castrati, Balzac, and BartheS/Z .................. 28 O'Malley, Lurana Donnels: Masks of the Empress: Polyphony of Personae in Catherine the Great's Oh, These Times! .......... 65 Ràfols, Wilfredo de: Nonworded Words and Unmentionable Pharmaka in O'Neill and Valle-Inclán ..................... 193 Schmitt, Natalie Crohn: "Haunted by Places": Landscape in Three Plays by W. B. Yeats ..................................... 337 Scullion, Adrienne: "Forget Scotland": Plays by Scots on the London Stage, 1667-1715 ................................... 105 Simonds, Peggy Muñoz: "My charms crack not": The Alchemical Structure of The Tempest .............................. 538 Sofer, Andrew: Felt Absences: The Stage Properties of Othello's Handkerchief ...................................... 367 Somerset, Alan: Damnable Deconstructions: Vice Language in the Interlude ..................................... 414 Tassi, Marguerite: Shakespeare and Beckett Revisited: A Phenomenology of Theater ........................... 248 615 616Comparative Drama REVIEWS SUMMER: Terry Gunnell, The Origins of Drama in Scandinavia (Martin W. Walsh); Frances M. Kavenik, British Drama, 1660-1779: A Critical History (Derek Hughes); Theoharis C. Theoharis, Ibsen's Drama: Right Action and Tragic Joy (Brian Johnston); John Conteh-Morgan, Theatre and Drama in Francophone Africa: A Critical Introduction (Lifongo Vetinde); Jean I. Marsden , The Re-Imagined Text: Shakespeare, Adaptation, and Eighteenth-Century Literary Theory (Claudia Thomas); Dana F. Sutton, Catharsis of Comedy (William M. Owens); John Kerrigan, Revenge Tragedy: Aeschylus to Armageddon (Grace Tiffany); Glen W. Gadberry, ed., Theatre in the Third Reich, The Prewar Years: Essays on Theatre in Nazi Germany (Uwe-K. Ketelsen); Bente A. Videbaek, The Stage Clown in Shakespeare's Theatre (DanielRaymond Nadon); Dale B. J. Randall, Winter Fruit: English Drama, 1642-1660 (Richard Kroll). FALL: Bharat Gupt, Dramatic Concepts, Greek and Indian: A Study of the Poetics and the Nätyasästra (David L. Gitomer); Helen L. Harrison, Pistoles/ Paroles: Money andLanguage in Seventeenth-Century French Comedy (Bradley Rubidge); John Peacock, The Stage Designs of Inigo Jones: The European Context (Alan R. Young); Lynette R. Muir, The Biblical Drama of Medieval Europe (Molly Lynde-Recchia); Jerome Mitchell, More Scott Operas: Further Analyses of Operas Based on the Works of Sir Walter Scott (Bernard ZeIechow ); Antonia Pulci, Florentine Comedy for Convent and Festival: Seven Sacred Plays, trans. James Wyatt Cook (Nerida Newbigin); William C. Carroll, Fat King, Lean Beggar: Representations ofPoverty in the Ages ofShakespeare (Cynthia Marshall). WINTER: William J. Slater, ed., Roman Theater and Society (Sander M. Goldberg); J. L. Styan, The English Stage: A History of Drama and Performance (Greg Walker); W. Geoffrey Arnott, Alexis: The Fragments: A Commentary (David Konstan); R. B. Parker and S. P. Zitner, eds., Elizabethan Theater: Essays in Honor of S. Schoenbaum (David Bevington); Hanna Scolnicov , Woman's Theatrical Space (Regula Meyer Evitt); Stephen Orgel, Impersonations : The Performance of Gender in Shakespeare's England (James E. Robinson); John D. Lyons, The Tragedy of Origins: Pierre Corneille and Historical Perspective (Bradley Rubidge); Salma Khadra Jayyusi and Roger Allen, eds., Modern Arabic Drama: An Anthology (Nabil Matar); Natalia Kuziakina, Theatre in the Solovki Prison Camp (Sharon Marie Carnicke). ...