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  • TDR Volume 47 Index

T177: vol. 47, no. 1 (Spring 2003)

T178: vol. 47, no. 2 (Summer 2003)

T179: vol. 47, no. 3 (Fall 2003)

T180: vol. 47, no. 4 (Winter 2003)

By Author

Abrams, Joshua D., "A Split Second of Paradise edited by Nicky Childs and Jeni Walwin; Performing Processes: Creating Live Performance edited by Roberta Mock" (Book Review) 1:191-94
Barnett, Claudia, "Painting As Performance: Charlotte Salomon's Life? or Theatre?" 1:97-126
Bell, John, "Performance Studies in an Age of Terror" (Comment) 2:6-8
Bogad, Larry, "Facial Insufficiency: Political Street Performance in New York City and the Selective Enforcement of the 1845 Mask Law" (Critical Acts) 4:75-84
Brady, Sara, "A History of Irish Theatre 1600-2000 by Christopher Morash" (Book Review) 3:188-91
Brehm, Katharine A., "Satanicide" (Critical Acts) 1:86-88
Carroll, Amy, "Incumbent upon Recombinant Hope: EDT's Strike a Site, Strike a Pose" 2:145-50
Cesare, T. Nikki, "The World after The Bomb" (Critical Acts) 1:81-86
Chaudhuri, Una, "Agitated States: Performance in the American Theater of Cruelty by Anthony Kubiak; Staging Consciousness: Theater and the Materialization of Mind by William W. Demastes" (Book Review) 4:194-98
Conceison, Claire, "What's New—and Renewed—Onstage in China" (Critical Acts) 1:74-80
Cook, Sean, "Walking the Talk: Castillo Theatre of 2002" 3:78-98
Daly, Ann, "Imaging Her Erotics: Essays, Interviews, Projects by Carolee Schneeman; John Kelly by John Kelly" (Book Review) 3:183-85
Davis, R.G., "We Won't Pay! We Won't Pay! And Other Plays: The Collected Plays of Dario Fo. Volume One by Dario Fo, translated by Ron Jenkins" (Book Review) 1:187-91
e-mael, "A Haiku A Day" (Critical Acts) 1:88-96
e-mael, Guillermo Gómez-Peña, and Alexis McKee, "Re:group/No homeland" (Critical Acts) 4:70-75
Emoff, Ron, "Direct-Current Recall in Madagascar" 3:32-44
Finley, Karen, "Make Love" 4:51-69
Franko, Mark, "Majestic Drag: Monarchical Performativity and the King's Body Theatrical" 2:71-87
Friedman, Dan, "A Performance Community Onstage and on the Street: Castillo Theatre and Heiner Müller's Germania 3" 3:99-112 [End Page 199]
Fukushima, Yoshiko, "Perspectives on Korean Dance by Judy Van Zile" (Book Review) 1:194-95
Fusco, Coco, "On-Line Simulations/Real-Life Politics: A Discussion with Ricardo Dominguez on Staging Virtual Theatre" 2:151-62
Gillespie, John K., "Half a Century of Japanese Theatre: 1990s Part 1 and Part 2 edited by Japan Playwrights Association" (Book Review) 2:163-66
Gómez-Peña, Guillermo, "e-mael's A Haiku A Day" (Critical Acts) 1:88-91
Gómez-Peña, Guillermo, e-mael, and Alexis McKee, "Re:group/No homeland" (Critical Acts) 4:70-75
Harris, Max, "Saint Sebastian and the Blue-Eyed Blacks: Corpus Christi in Cusco, Peru" 1:149-75
Iezzi, Julie, "Japanese Theatre and the International Stage edited by Stanca Scholz-Cionca and Samuel L. Leiter" (Book Review) 2:169-70
Jakovljevic, Branislav, "Guy Debord by Anselm Jappe; Guy Debord and the Situationist International: Texts and Documents edited by Tom McDonough" (Book Review) 4:189-91
Johnson, E. Patrick, "Strange Fruit: A Performance about Identity Politics" 2:88-16
Karam, Raif, "The Taste of Bread: My Theatrical Experiences and Lebanon" 4:128-43
Karimi-Hakak, Mahmood, "Exiled to Freedom: A Memoir of Censorship in Iran" 4:17-50
Kirshenblatt-Gimblett, Barbara, "Kodak Moments, Flashbulb Memories: Reflections on 9/11" 1:11-48
Lane, Jill, "Digital Zapatistas" 2:129-44
Magelssen, Scott, "Resuscitating the Extinct: The Backbreeding of Historic Animals at U.S. Living History Museums" 4:98-109
Martin, Carol, "Jack Gelber: 1932-2003" (In Memory) 4:13-16
Martin, Randy, "Why Are Artists Poor? The Exceptional Economy of the Arts by Hans Abbing" (Book Review) 4:192-194
Mazer, Sharon, "Female Spectacle: The Theatrical Roots of Modern Feminism by Susan A. Glenn" (Book Review) 3:186-88
McKee, Alexis, Guillermo Gómez-Peña, and e-mael, "Re:group/No homeland" (Critical Acts) 4:70-75
McKenzie, Jon, "Democracy's Performance" 2:117-28
Miller, Arthur, "Unlocking the Secrets of Cultures" (Comment) 1:5...

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