Contributors
Rent from DeepDyve- Contributors
Florence S. Boos, Professor of English at the University of Iowa, has written monographs on the works of Dante G. Rossetti and William Morris and has edited Morris’ Socialist Diary, his Earthly Paradise, and Working-Clas Women Poets of Victorian Britain: An Anthology. She is also the general editor of the virtual Morris Edition (http://morrisedition.lib.uiowa.edu) and has recently completed a manuscript devoted to Morris’ early poems and essays.
Alison Chapman is Associate Professor of English in the University of Victoria, Canada. She is the author of The Afterlife of Christina Rossetti and is the Director of the Victorian Poetry Network (www.victorianpoetry.net), which will soon publish phase 1 of a Database of Victorian Periodical Poetry. “Networking the Nation,” a study of the British and American expatriate poets of the Risorgimento, is nearing completion, and she is also at work on a SSHRC-supported monograph on Victorian literature and Europe.
Martin Dubois is Lecturer in Victorian Literature at Newcastle University, England and, in addition to Hopkins, has written on Siegried Sassoon and William Barnes. He is presently at work on a monograph “Writing Belief: Hopkins and the Literary Imagination.”
Frank Fennell is Professor of English and Dean of the College of Arts and Sciences at Loyola University Chicago. He is author or editor of six books, primarily on Victorian literature, including Rereading Hopkins: Selected New Essays, and he has published numerous articles, especially on Hopkins. His current project is a book on Hopkins and his readers.
Emily Harrington is Assistant Professor of English at Penn State University and has published articles in Victorian Studies and Nineteenth Century Literature. Her current book project, “Second Person Singular: The Bonds of Lyric,” focusing on women writers at the fin de siècle, explores how nineteenth-century poetic conventions shape, and are shaped by, concepts of intimacy.
Linda K. Hughes, Addie Levy Professor of Literature at Texas Christian University, Fort Worth, Texas, is the author most recently of Graham R.: Rosamund Marriott Watson, Woman of Letters (2005), and The Cambridge Introduction to Victorian Poetry (2010), which approaches poetry in the context of print culture. Two recent essays have appeared in VP: “Inventing Poetry and Pictorialism in Once a Week: A Magazine of Visual Effects” (Spring 2010), and “Ironizing Prosody in John Davidson’s ‘A Ballad in Blank Verse’” (Summer 2011). [End Page 413]
Yisrael Levin is a Visiting Assistant Professor of English at Hobart and William Smith Colleges. He is the editor of A. C. Swinburne and the Singing Word: New Perspectives on the Mature Work (2010) and the co-editor of VP’s special issue on Victorian prosody (Summer 2011). His manuscript “Swinburne’s Apollo: Myth, Faith, and Victorian Spirituality” is forthcoming with Ashgate. His current project investigates the relation between religious attitudes and prosodic theorization in Victorian poetry.
Clinton Machann is Professor of English at Texas A&M University. Among his publications are The Genre of Autobiography in Victorian Literature (1994), The Essential Matthew Arnold: An Annotated Bibliography of Major Modern Sources (1993), Matthew Arnold: A Literary Life (1998), and Masculinity in Four Victorian Epics: A Darwinist Reading (2010).
Rosemarie Morgan, lecturer and research fellow at Yale University from 1984–2008, is president of The Thomas Hardy Association and Vice President of The Thomas Hardy Society. She is editor of the bi-annual The Hardy Review and author of Women and Sexuality in the Novels of Thomas Hardy (1988: in preparation for a new edition), Cancelled Words: Rediscovering Thomas Hardy (1992), A Student Companion to Thomas Hardy (2007) and editor of The Ashgate Research Companion to Thomas Hardy (2010). She has also published on Toni Morrison, Charlotte Brontë, Mary Chesnut, and Frontier women diarists. She is currently editing a collection of J. Hillis Miller’s essays on Hardy.
Andrew Stauffer is Associate Professor of English at the University of Virginia, where he also directs the digital initiative NINES (www.nines.org). He is the author of Anger, Revolution, and Romanticism (2005) and has edited works by H. Rider Haggard and (with James Loucks) Robert Browning.
Marjorie Stone, McCulloch Chair in English, Dalhousie University, is the author of Elizabeth Barrett Browning (1995), co-editor of Literary Couplings: Writing...
