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  • Notes on Contributors

Denise A. Ayo (dayo@nd.edu) is a doctoral candidate in English at the University of Notre Dame and a member of the Keough-Naughton Institute for Irish Studies. She specializes in British and Irish modernism with an emphasis on postcolonial and gender issues, and her dissertation, "Women of Letters: Virginia Woolf, Rebecca West, and Mary Colum," examines how three female writers understood mass media's relationship to modernism. Her article "Scratching at Scabs: The Garryowens of Ireland" appeared in the 2010 Joyce Studies Annual. She is currently editing a selected volume of Colum's critical works. For more information, please visit her website: www.deniseayo.com.

Robert Baines (bainesr@lemoyne.edu) studied at Oxford University and Trinity College Dublin and currently teaches at Le Moyne College in Syracuse, NY. He has published articles in European Joyce Studies and the collection Irish Modernism: Origins, Contexts, Publics. His doctoral thesis was titled, " 'The truth is midway': The Mediation of Finnegans Wake" and he is currently working on a monograph on Joyce and philosophy.

Steven Bond (steven.bond@mic.ul.ie) graduated first place on the BA programme at Mary Immaculate College, University of Limerick, Ireland (philosophy and English, 2001). Under the supervision of Dr. Stephen Thornton, he completed a PhD in philosophy on the continental inheritance of Ludwig Wittgenstein's Tractatus Logico-Philosophicus in this same institution (2005). He has published on Nietzsche, Frege, Wittgenstein, Darwin, and environmental ethics. He lectures on philosophy and literature in Mary Immaculate College. Various presentations on an ongoing book length project, Cartesianism in the works of Joyce and Beckett, include a guest lecture to The James Joyce Society in New York.

Ruben Borg (rubenborg@mscc.huji.ac.il) is an Allon Research Fellow and a lecturer in English literature at the Hebrew University of Jerusalem. His articles on Modernism have appeared in numerous journals, including Poetics Today, Modern Fiction Studies, Narrative and Journal of Modern Literature. Since 2003, he has served as associate editor of Partial Answers: Journal of Literature and the History of Ideas. His book The Measureless Time of Joyce, Deleuze and Derrida was published in 2007, and he is currently working on a second book titled Fantasies of Self-Mourning.

Luca Crispi (luca.crispi@ucd.ie) is a lecturer in the School of English, Drama and Film at University College Dublin, Ireland. With Anne Fogarty, he is co-founder of the UCD James Joyce Research Center and co-editor of the Dublin [End Page 214] James Joyce Journal. Formerly, he was Joyce and W.B. Yeats Research Fellow at the National Library of Ireland, where he co-curated two major literary exhibitions, and before that he was Joyce Scholar in Residence at the Poetry Collection, University at Buffalo, State University of New York. This essay is part of his current work, Becoming the Blooms: Creativity and the Construction of Character.

Mihaela P. Harper (mharper@bilkent.edu.tr) is a visiting assistant professor in the Program in Cultures, Civilizations and Ideas at Bilkent University in Ankara, Turkey. A scholar of contemporary transnational literatures, she has presented her work at various professional conferences, including the Modern Language Association, the American Comparative Literature Association, the Popular Culture Association/American Culture Association, and the Northeast Modern Language Association. Her most recent article appears in the Journal of Philosophy: A Cross-Disciplinary Inquiry.

Daniel Hazard (hazard@princeton.edu) is a doctoral student in the Department of English at Princeton University, as well as secretary of The Samuel Beckett Society in 2011 and 2012. This is his first scholarly publication.

Sonja Jankov (jankovsonja@gmail.com) is a graduate of University of Novi Sad in comparative literature and was a visiting student at Charles University in Prague, centre for intercultural studies. She has published collection of poetry "Impressionistic Snapshots" in 2008 in Serbian, and as well as poems in the Berkeley Poetry Review, Counterexample Poetics and Agon. Her research area is James Joyce and materiality of Peter Greenaway's visual language, and she has published pieces on inter-medial encounters in works of Joyce (in Hypermedia Joyce Studies), Alesandro Baricco, Samuel Beckett, and playwright Milena Markovic. After participating in several collaborative exhibitions, such as The Case...

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