Index to Volume 26 (1992-93)

Index to Volume 26 (1992-93) Devlin, Eugene J. Evans, Robert C. Hummelen, Willem M. H. Kline, Daniel T. Kurland, Stuart Mazzaro, Jerome Norland, Howard B. SaIz, David Z. Sanderson, Richard K. Scherb, Victor I. Shershow, Scott Cutler Stockenström, Göran Tiffany, Grace The Regnum Humanitatis Trilogy: Humanist Manifesto . . . i 58 Contemporary Contexts of Jonson's The Devil is an Ass. ii 140 Performers and Performance in the Earliest Serious Secular Plays in the Netherlands . . i 19 Structure, Characterization, and the New Community in Four Plays of Jesus and the Doctors . . . iv 344 "A beggar's book/ Outworths a a noble's blood": The Politics of Faction in Henry VlIl . . . . iii 237 Memory and Madness in Pirandello's Enrico IV . . . i 34 "Lamentable tragedy mixed ful of pleasant mirth": The Enigma of Cambises . . . iv 330 Radical Mimesis: The "Pinter Problem" Revisited . . . . iii 218 Suicide as Message and Metadrama in English Renaissance Tragedy . iii 199 Frame Structure in The Conversion of St. Paul . . . ii 124 Windings and Turnings: The Metaphoric Labyrinth of Restoration Dramatic Theory . . i 1 August Strindberg: A Modernist in Spite of Himself . . . . ii 95 Falstaffs False Staff: "Jonsonian" Asexuality in The Merry Wives of Windsor. iii 254 393 394Comparative Drama VeIz, John W."Some shall be pardon'd, and some punished": Medieval Dramatic Eschatology in Shakespeare. iv 312 Wikander, Matthew H. The Protean Prince Hal . . . iv 295 REVIEWS SPRING: Barbara Hodgdon, The End Crowns All: Closure and Contradiction in Shakespeare's History (Matthew H. Wikander); David Thomas and Arnold Hare, eds., Restoration and Georgian England, 1660-1788 (Derek Hughes); David N. Klausner, Herefordshire, Worcestershire (Clifford Davidson); International Bibliography of Theatre: 1985, ed. Berito Ortolani (Ian Lancashire); Simon Williams, Shakespeare on the German Stage, I (Christa Jansohn); The N-Town Passion, video (Garrett P. J. Epp); Larry S. Champion, "The Noise of the Threatening Drum": Dramatic Strategy and Political Ideology in Shakespeare and the English Chronicle Plays (John D. Cox) ; Eckehard Simon, ed., The Theatre of Medieval Europe (Lynette Muir) ; David McPnerson, Shakespeare, Jonson, and the Myth of Venice (Robert C. Evans). SUMMER: Donald G. Watson Shakespeare's Early History Plays: Politics at Play on the Elizabethan Stage, and Robert C. Jones, These Valiant Dead: Renewing the Past in Shakespeare's Histories (Barbara Hodgdon); Leif S0ndergaard, Fastelavnsspillet i Danmarks senmiddelalder—om "Den utro hustru" og fastelavnsspillets tradition (Larry Syndergaard) ; Lauren Lepow, Enacting the Sacrament: CounterLollardy in the Towneley Cycle (Ann Eljenholm Nichols); Michael Vanden Heuvel, Performing Drama/Dramatizing Performance: Alternative Theater and the Dramatic Text (Stanton B. Garner, Jr.); Sandra Billington, Mock Kings in Medieval Society and Renaissance Drama (John D. Cox); Günter Ahrends and Hans-Jürgen Diller, eds., Unconventional Conventions in Theatre Texts (Heinz Kosok). FALL: Richard Axton and Peter Happé, eds., The Plays of John Heywood (David Bevington); Christopher Innes, Modern British Drama, 1890-1990 (J. L. Styan); Marianne McDonald, Ancient Sun, Modern Light: Greek Drama on the Modern Stage (Brian Johnston); Marc Maufort, ed., Eugene O'Neill and the Emergence of American Drama, and Gilbert Debusscher and Henry I. Schvey, eds., New Essays on American Drama (Stephen Watt); Ruby Cohn, Retreats from Realism in Recent English Drama (June Schlueter); Frances Teague, Shakespeare's Speaking Properties (James Fisher); Daryl W. Palmer, Hospitable Performances: Dramatic Genre and Cultural Practices in Early Modern England (Cécile Williamson Cary); Enoch Brater and Ruby Cohn, eds., Around the Absurd: Essays on Modern and Postmodern Drama (James Coakley) ; Jonathan Hart, Theater and World: The Problematics of Shakespeare's History (Larry S. Champion). WINTER: F. David Hoeniger, Medicine and Shakespeare in the English Renaissance (Bridget Geliert Lyons); Gordon Armstrong, Samuel Beckett, W. B. Yeats, and Jack Yeats: Images and Works (Mary Lydon); Jerzy Limon, The Masque of Stuart Culture (Elise Bickford Jorgens); Carla Waal, Harriet Bosse: Strindberg's Muse and Interpreter (Göran Stockenström); Dian Fox, Refiguring the Hero: from Peasant to Noble in Lope de Vega and Calderón (Ronald E. Surtz); Judith Milhous and Robert D. Hume, eds., A Register of English Theatrical Documents 1660-1737 (Derek Hughes); J. W. Robinson, Studies in Fifteenth-Century Stagecraft (Peter Happé); Katherine E. Kelly, Tom Stoppard and the Craft of Comedy: Medium and Genre at Play (Kinereth Meyer) ; Margaret Rich...