Index to Volume 21 (1987)

Reviews405 comedies—whose place in Shakespeare's development is the subject of Wheeler's own admirable previous book. The modesty and self-effacement that the authors find in Shakespeare is mirrored in this reticence. The entire book is a gesture of wonderful generosity. MATTHEW H. WIKANDER University of Toledo Index to Volume 21 (1987) Baker, SusanHamlet's Bloody Thoughts and the Illusion of Inwardness . . . . iv 303 Constantinidus, Stratos The Rebirth of Tragedy: Protest and Evolution in Modern Greek Drama . . ii 156 Demasíes, William W. Understanding Sam Shepard's Realism ..... iii 229 DeRitter, JonesA Cult of Dependence: The Social Context of The London Merchant . . iv 374 Finkelstein, Richard Ben Jonson on Spectacle . . . . ii 103 Garner, Stanton B., Jr. Visual Field in Beckett's Late Plays . iv 349 Goodall, JaneArtaud's Revision of Shelley's The Cenci: The Text and Its Double. ii 115 Gruber, William E. "Non-Aristotelian" Theater: Brecht's and Plato's Theories of Artistic Imitation ..... iii 199 Guilfoyle, Cherrell The Way to Dover: Arthurian Imagery in King Lear ..... iii 214 Hughes, DerekVanbrugh and Cibber: Language, Place, and Social Order in The Relapsei 62 Naming and Entitlement in Wycherley, Etherege, and Dryden . . iii 259 Jones, Daniel R.Peter Shaffer's Continued Quest for God in Amadeus ..... ii 145 Longsworth, Robert Two Medieval Cornish Versions of the Creation of the World ... iii 249 McFarland, Ronald E. The Vampire on Stage: A Study in Adaptations . . . i 19 406Index to Volume 21 Norton, Michael L. Of "Stages" and "Types" in Visitatione Sepulchri (Part I) . . i 34 (Part II) ....... ü 127 Palmer, Barbara D. "Towneley Plays" or "Wakefield Cycle" Revisited ...... iv 318 Rosenberg, D. M.Milton, Dryden, and the Ideology of Genre ...... i 1 REVIEWS SPRING: Dramatic Texts and Records of Britain, by Ian Lancashire (David Bevington); The Italian Shakespearian, by Marvin Carlson (William I. Oliver); Myths and Realities of Contemporary French Theater, ed. Patricia M. Hopkins and Wendell M. Aycock, and An International Dictionary of Theatre Language, ed. Joel Trapido, Edward A. Langhans, and James R. Brandon (Felicia Hardison Londré); Folklore and W. B. Yeats, by Birgit Bramsbäck (Christopher Murray) ; Gentlemen of a Company: English Players in Central and Eastern Europe, 1590-1660, by Jerzy Limon (Michael Shapiro); Medieval English Drama, ed. Peter Happé (Peter Meredith ); Making Pictures: The Pinter Screenplays, by Joanne Klein (Ina Rae Hark); Engagement with Knavery: Point of View in Richard III, The Jew of Malta, Volpone, and The Revenger's Tragedy, by Robert Jones (Harry Keyishian). SUMMER: Pinter's Comic Play, by Elin Diamond (Enoch Brater); Love and Society in Shakespearean Comedy, by Richard A. Levin (William Godshalk); LettWing Dramatic Theory in the American Theatre, by Ira A. Levine, Theatre for Working-Class Audiences in the United States, 1830-1980, ed. Bruce A. McConachie and Daniel Friedman, and Black Theatre in the 1960s and 1970s, by Manee Williams (Thomas Greenfield); Dramatic Form in Shakespeare and the Jacobeans, by Leo Salingar (Donald K. Anderson, Jr.) ; Aristophanes: Poet and Dramatist, by Rosemary Harriott (David Konstan); "Love and Admiration and Respect": The O'Neill-Commins Correspondence, ed. Dorothy Commins (Michael Hinden) ; Pieracci and Shelley: An Italian Ur-Cenci, by George Yost (Barbara Groseclose). FALL: Beckett at 80/Beckett in Context, ed. Enoch Brater (Stephen Watt); Late Victorian Farce, by Jeffrey H. Huberman (James Fisher) ; The Saint Play in Medieval Europe, ed. Clifford Davidson (Darryll Grantley); Aeschylus, by John Herington (David Konstan); Chekhov and O'Neill, by Peter Egri (Michael Manheim); Res/ Verba: A Study in Medieval French Drama, by Joseph Dane (Lynette Muir). WINTER: The Pardoner and the Friar, 1533; The Four Ps, 71544, Malone Society Reprints (Peter Meredith); Understanding Terence, by Sander Goldberg (David Konstan) ; The Return of Astraea: An Astral-Imperial Myth in Calderón, by Frederick A. De Annas (Frank P. Casa) ; Prophet of the New Drama: William Archer and the Ibsen Campaign, by Thomas Postlewait (Thomas A. Greenfield); The Restoration Rake-Hero, by Harold M. Webber (Jessica Munns); Christopher Marlowe: Poet for the Stage, by Clifford Leech (Cécile Williamson Cary); A New Orpheus: Essays on Kurt Weill, ed. Kim H. Kowalke (Arnold Johnston) ; Devon, ed. John Wasson (Darryll Grantley) ; The Whole Journey: Shakespeare's Power of Development, by C. L. Barber and Richard P...