Abstract

Providing an overarching interpretation of Thomas the Obscure and all of Blanchot’s work, Nancy in La Déclosion presents a powerful reading of death and resurrection. It is only by privileging L’Espace littéraire and a certain interpretation of death, I suggest, that Nancy can argue for the mundaneness of resurrection rather than its “fantastic” or “miraculous” nature.

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Additional Information

ISSN
1925-5683
Print ISSN
0027-1276
Pages
pp. 1-16
Launched on MUSE
2012-09-19
Open Access
No
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