Abstract

Part of a lab theatre experiment, this chuanqi opera production was an attempt to revive audience experience of the golden age of Chinese xiqu through text parallelism and music parallelism. Text parallelism requires the matching translation of the lingual features of a chuanqi text into its English double; such features include colloquial lexis, dense rhyming, language parallelism, and a measure of compensation in the adoptive language for the lost tonal patterns of the original. Music parallelism mimics the Ming China practice of employing music contemporary to the audience and composing the libretto to existing popular melodies.

pdf

Additional Information

ISSN
1527-2109
Print ISSN
0742-5457
Pages
pp. 183-205
Launched on MUSE
2012-07-11
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.