Abstract

The article discusses the German-Jewish author and philosopher Margarete Susman (1872–1966) and her interpretation of cultural Zionism around the First World War. Susman has largely disappeared from our cultural canvas in spite of the fact that she is one of the rare thinkers in German philosophical tradition for whom the challenge of idealism lies in its potential conversion into reality, and the force of beauty in its undeniable ethical appeal. In 1916 Margarete Susman wrote an extensive article in the Frankfurter Zeitung on the Zionist philosophy of Ahad Ha'am and Martin Bubber. Although the cultural journalist and former poet from the wider circle around Stefan George had already reflected on the question of Jewish identity in Germany in previous years, her strong interest in Zionism cannot just be explained by a sudden awareness of her Jewish descent. The 1916 article reveals a remarkable interpretation of cultural Zionism as a spiritual movement that is the real foundation of all political thought and any state. It has its roots in her belief in the meaning of spirit and art as truly regenerating forces, a belief she did not lose in spite of fact that she never turned a blind eye to the brutal reality of her time.

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