Contributors
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Hester Baer (hbaer@ou.edu) is an associate professor of German and women’s and gender studies at the University of Oklahoma. She is the author of Dismantling the Dream Factory: Gender, German Cinema, and the Postwar Quest for a New Film Language (2009), and has published widely on German film, feminism, and literature. Her new project is the book German Cinema in the Age of Neoliberalism.
Christopher Browning (cbrownin@email.unc.edu) is the Frank Porter Graham Professor of History at the University of North Carolina at Chapel Hill. His scholarship has focused on the evolution of Nazi Jewish policy culminating in the Final Solution, Holocaust perpetrators, and most recently the experience of Jewish workers in Nazi labor camps.
Vance Byrd (BYRDVL@grinnell.edu) is an assistant professor of German at Grinnell College. His research interests focus on visual culture, Friedrich Justin Bertuch, and the writers Hoffmann, Arnim, and Stifter. He is currently working on a book that examines how German authors transfigured panorama entertainments to combat the political and cultural specter of France in the nineteenth century.
Glenn R. Cuomo (cuomo@ncf.edu) is a professor of German language and literature at New College of Florida. He is the author of Career at the Cost of Compromise: Günter Eich’s Life and Work in the Years 1933–1945, and editor of National Socialist Cultural Policy. He is currently completing a comprehensive study of authors and the NSDAP.
Peter Damrau (p.damrau@bbk.ac.uk) is a lecturer in the Department of European Cultures and Languages at Birkbeck College, University of London. He has published on English and German devotional literature of the seventeenth century and on the development of women’s writing in Germany in the eighteenth century.
Boris Von Haken (von-haken@t-online.de) is a lecturer at the Goethe University of Frankfurt and the Technical University of Darmstadt. His research interests include the history of antisemitism, music and politics, and the cultural politics of the Nazi regime.
Andrea Mirabile (andrea.mirabile@vanderbilt.edu) is an assistant professor of Italian at Vanderbilt University. He is the author of two books: Le strutture e la storia (2006), on semiotics and historicism, and Scrivere la pittura (2009), on Longhi and ecphrasis. He is currently working on d’Annunzio and the aesthetics of the total artwork. [End Page 463]
Anne Shreffler (acshreff@fas.harvard.edu) was a professor at the University of Basel from 1994 to 2003 and is currently James Edward Ditson Professor of Music at Harvard University. Her research interests include the twentieth-century musical avant-garde in Europe and America, with special emphasis on the political and ideological associations of new music, as well as the history of musicology as an academic discipline.
Katie Sutton (suttonkl@unimelb.edu.au) is an Australian Research Council postdoctoral fellow at the University of Melbourne, where she is researching the historical relationship between sexology and psychoanalysis. She has previously undertaken postdoctoral research on early twentieth-century German sexual subcultures, as a DAAD fellow at the University of Potsdam. [End Page 464]
