Contributors
- Contributors
Mary Desjardins is Associate Professor of Film and Media Studies at Dartmouth College. She is coeditor with Gerd Gemunden of Dietrich Icon (Duke University Press, 2007) and has written about Lucille Ball in Television, History, and American Culture: Feminist Critical Essays, edited by Mary Beth Haralovich and Lauren Rabinovitz (Duke University Press, 1999), and in Recycled Stars: Female Stardom in the Age of Television and Video (forthcoming).
Lilya Kaganovsky is Associate Professor of Slavic, Comparative Literature, and Cinema and Media Studies at the University of Illinois, Urbana-Champaign. She is the author of How the Soviet Man Was Unmade: Cultural Fantasy and Male Subjectivity under Stalin (University of Pittsburgh Press, 2008). Together with Lauren M. E. Goodlad and Robert A. Rushing, she is the coeditor of Mad Men, Mad World: Sex, Politics, Style, and the 1960s (forthcoming from Duke University Press).
Diane Negra is Professor of Film Studies and Screen Culture and Head of Film Studies at University College Dublin. She is the author of What a Girl Wants? Fantasizing the Reclamation of Self in Postfeminism (Routledge, 2009) and the editor of Old and New Media after Katrina (Palgrave Macmillan, 2010). Together with Yvonne Tasker, she is coediting Gendering the Recession (forthcoming from Duke University Press).
Roberta Pearson is Professor of Film and Television Studies and Head of the Department of Culture, Film, and Media at the University of Nottingham. She recently edited Reading Lost: Perspectives on a Hit Television Show (I. B. Tauris, 2009). [End Page 171]
