Abstract

Focusing particularly on his first studio feature, Get to Know Your Rabbit (1970), this essay argues that Brian De Palma, director of Scarface (1983) and Body Double (1984), is an exemplar of Godardian "political" filmmaking. Potential consonances between De Palma's career and the historical development of Film Studies as a discipline are also outlined.

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Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 1-24
Launched on MUSE
2012-04-12
Open Access
No
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