Abstract

Paul A. Kottman’s philosophical dramaturgy takes flight from Hegel in order to demonstrate the dynamics of individuation and separation nestled within love as both its greatest gift and its greatest risk. Reorchestrating the play more than reading it, Kottman delivers a bracing form of dramatic engagement that eschews historicization in order to draw us closer to Romeo and Juliet and the dilemmas posed by their mutual acknowledgment.

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Additional Information

ISSN
1538-3555
Print ISSN
0037-3222
Pages
pp. 39-45
Launched on MUSE
2012-04-05
Open Access
No
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