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  • Notes on Contributors

Paul Eggert is an Australian Research Council professorial fellow, based at the University of New South Wales, Canberra. His book Securing the Past: Conservation in Art, Architecture and Literature was published by Cambridge University Press in 2009.

Joseph J. Gwara is Professor of Spanish at the United States Naval Academy. In 2008 the Bibliographical Society of America awarded him the first annual Katharine F. Pantzer Senior Fellowship in Bibliography and the British Book Trades. He is currently researching the sixteenth-century output of Wynkyn de Worde and his circle.

Mary Morse is Director of the Gender and Sexuality Studies Program and Associate Professor of English at Rider University, Lawrenceville, NJ. She currently is studying Takamiya MS 56, an early fifteenth-century English prayer roll likely used as a birth girdle.

Patricia Gael is a doctoral candidate in English at the Pennsylvania State University. Her current research focuses on the connections between book trade practices and the publication of poetry, drama, and fiction in the mid-eighteenth century.

Reviewers

Xavier van Binnebeke is currently based at the Università degli Studi di Messina. He has also been cataloguing the papers of Professor Albinia de Mare at the Bodleian Library.

Caitlin Hartigan is currently completing her doctorate in History of Art at Oxford University. Her research focuses on the production of Le Roman de la Rose manuscripts and printed editions in the later Middle Ages.

Germaine Warkentin is Professor Emeritus of English at the University of Toronto. With William R. Bowen and Joseph L. Black she is completing a critical edition of the Penshurst Place Library.

Roger Gaskell is an antiquarian bookseller specializing in early modern scientific and medical books.

Natalie Aldred is an independent researcher; she is currently investigating early advertisements.

Richard Linenthal is an antiquarian bookseller. [End Page 125]

Paul Goldman is a former Assistant Keeper in the Department of Prints and Drawings at the British Museum and currently Associate Fellow at the Institute of English Studies, School of Advanced Study, University of London.

Angus Phillips is Director of the Oxford International Centre for Publishing Studies at Oxford Brookes University. His books include Inside Book Publishing (with Giles Clark) and The Future of the Book in the Digital Age (edited with Bill Cope). He is the Editor-in-Chief of the journal Logos.

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