Abstract

This article discusses a new way of thinking about analyzing sign-language poetry. Rather than merely focusing on the product, the method involves observing the process of its creation. Recent years have witnessed increasing literary and linguistic analysis of sign-language poetry, with commentaries on texts and performances being set within and drawing on a range of disciplines and analytical techniques. However, attention has so far been paid to the texts and performances rather than to the process of their creation. While working with four of the UK's most prolific sign-language poets, exploring and trying to understand more about British Sign Language (BSL) poetry, we became increasingly interested in the creative processes that occur and emerge in the composition itself. We decided to give them a task related to creative anthropomorphism and asked them to think "out loud" about the process as they created their compositions.

We took our lead from think-aloud protocols, which have been used extensively in studies of cognitive processes and knowledge acquisition to understand how we solve problems (; ; ). We invited the poets to reflect upon and share with each other how they tackle a particular challenging aspect that is often incorporated in sign-language poems. This shared thinking process enabled them to explore anthropomorphic concepts together and jointly to create poetic examples, while also giving us insight into the processes of task completion (rather than only its final product).

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Additional Information

ISSN
1533-6263
Print ISSN
0302-1475
Pages
pp. 188-210
Launched on MUSE
2012-03-22
Open Access
No
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